Speak loudly Speak loudly

Do we do what we have to do? Or do we have to do what we do?

Too much, too soon Too much, too soon

Heartbeat is, after all, a company that loves to tinker.

Guilt, edged Guilt, edged

If Darius Milhaud took a risk in adapting La Mère Coupable as an opera, it wasn’t the quirky, atonal style he used for his score.

Et in Arcadia, libido Et in Arcadia, libido

A performance space called the Sheen Center has opened its doors way down the far end of Bleecker Street, a stoner’s throw from where CBGB’s used to thrive beside the itsy-bitsy Amato Opera House. (You never forget your first Oberto, Conte di San Bonifacio.)  Sheen Center, sizable and modern and slim on personality, contains two…