Speak loudly
Do we do what we have to do? Or do we have to do what we do?
Beth Goldenberg
4 pieces since 2015 — at 1 company, most often at Heartbeat Opera.
4
pieces
1
company
12
years
By company
Too much, too soon
Heartbeat is, after all, a company that loves to tinker.
Guilt, edged
If Darius Milhaud took a risk in adapting La Mère Coupable as an opera, it wasn’t the quirky, atonal style he used for his score.
Et in Arcadia, libido
A performance space called the Sheen Center has opened its doors way down the far end of Bleecker Street, a stoner’s throw from where CBGB’s used to thrive beside the itsy-bitsy Amato Opera House. (You never forget your first Oberto, Conte di San Bonifacio.) Sheen Center, sizable and modern and slim on personality, contains two […]
I’ll take the fall
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).
Win a Free Ticket to Opening Night at the Met!
Quinn Kelsey and Lise Davidsen star in the Met's new Macbeth. We're giving away one ticket, so screw your courage to the sticking place and enter now!
