In 1982 I saw Turandot at the San Francisco Opera, the year after I became an opera fan, and it was my first live opera.
In Richard Strauss’s Arabella, the heroine is consumed with finding the right man—der Richtige—but who is the right Arabella?
Frankly I thought Sondra Radvanovsky had reached her pinnacle with her Norma but I was apparently mistaken. I’m happy to say her Turandot is completely next-level.
Giacomo Puccini’s La fanciulla del West may have its detractors (Stravinsky referred to it as a “horse-opera’) but you will not find me among them.
During the 70s, Kiri Te Kanawa, particularly singing Mozart, became one of my favorite singers.
Trove Thursday follows tradition and bids farewell to 2020 with an operetta: Lehár’s Die Lustige Witwe starring Edda Moser as a most commanding Hanna Glawari!
One of the more unfortunate losses from the Met’s closure is its revival of Simon Boccanegra, so Trove Thursday steps up with a 1975 Berlin performnace of Verdi’s dark masterpiece with Ingvar Wixell, Gundula Janowitz, José van Dam and Bruno Prevedi.
Puccini’s Girl closes out the 20th century and gallops into the 21st.
An opera revolving around chastity vows, adultery, slut-shaming, lesbianism, transvestism and much more!
A woman reads from the Bible. There is a dance scene in a tavern. The discovery of blood gives away the protagonist.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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