Take me out to the bull game
I braved the alarming and majestically colorful wall-graffiti-art of Bushwick to attend Bullfight Boylesque, which runs to October 28.
6 pieces since 2013 — at 3 companies, most often at Metropolitan Opera.
I braved the alarming and majestically colorful wall-graffiti-art of Bushwick to attend Bullfight Boylesque, which runs to October 28.
For opening night 2018, the Met offered the creaky but appealing biblical epic Samson et Dalila, presumably as a vehicle for Elina Garanca and Roberto Alagna.
So, how excited are you to read another piece about the Mary Zimmerman Rusalka?
A vibrant burlesque, this adult iteration of the classic fairytale manages to arch its back against the past while crawling toward the future.
“Operatic” generally refers to sung drama, but there is another meaning of that term: grandiose, outsize, hysterical.
Gotham Chamber Opera stumbled so badly Friday night with Francesco Cavalli’s 1668 Eliogabalo at The Box, it was hard to know whether to feel sad or angry—or both.
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