Any recording of Aufstieg und Fall der Stadt Mahagonny is so overrated
It’s always surprised me how so many performances of the major Brecht/Weill collaborations seem to have zero clue of how to handle either Weill’s music.
25 pieces since 1999 — in 12 roles, at 8 companies, most often at Bayreuth Festival.
1 piece as Jenny — stats above show all coverage for Anja Silja.
View allIt’s always surprised me how so many performances of the major Brecht/Weill collaborations seem to have zero clue of how to handle either Weill’s music.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.