Supported by an ingenious production and strong performances, Antonia Bembo’s Ercole Amante makes a successful Paris Opera debut.
A problem with scheduling an opera-intensive trip is that you don’t always hear and see the shows in optimum order.
I first became aware of the work of Austrian film director Michael Haneke a few years back when I followed a tip from a friend and rented the well-reviewed The White Ribbon.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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