Back-to-back casts in the Metropolitan Opera’s revivals of Madama Butterfly and La traviata offer ample opportunity for soprano-gazing.
The women were the highlights of Washington National Opera’s militaristic Aïda
Christof Loy‘s Louise in Aix-en-Provence scratches at the urban– and operatic– unconscious
This summer’s festival, taking place amid record high temperatures and in the wake of its artistic director, Pierre Audi, featured a disquietingly zeigeisty focus on sexual violence.
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