¡Sí, se puede!
The world premiere of Dolores and Charpentier‘s David and Jonathan bring the heat to West Edge Opera’s 2025 Festival.
8 pieces since 2014 — in 5 roles, at 3 companies, most often at Boston Early Music Festival.
The world premiere of Dolores and Charpentier‘s David and Jonathan bring the heat to West Edge Opera’s 2025 Festival.
Under the baton of Nicholas McGegan, Philharmonia Baroque Orchestra & Chorale proves they have a magic touch in a program of Rameau and Handel.
In the triumphant American premiere of Orlando Generoso at the Boston Early Music Festival last week, the hippogriff was among the many stars of the show.
For one week every two years since 1981 the eyes—and ears—of those interested in period performance turn to the Boston Early Music Festival, particularly to its opera centerpiece, but that organization doesn’t rest on its laurels in between festivals.
The operatic offerings of Boston Early Music Festival — Keiser‘s Octavia and Telemann‘s Pimpinone and Ino — are delectable discoveries
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