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UPDATE: A quick preview of tonight’s (this afternoon’s, actually) spectacular radio broadcast of I puritani from the Teatro Comunale di Bologna. First, a hint of some of the “new” musical ideas in this edition of Puritani. This is the final cabaletta of the opera, performed (as it was apparently originally intended) as a duet for…
The long-awaited return of the “Jambon d’Or,” featuring bass-baritone (?) Liudas Mikalauskas. [kml_flashembed movie=”http://www.youtube.com/v/TNW8wOQ6hq8″ width=”425″ height=”350″ wmode=”transparent” /]
Celebrated fact-mangler Norman Lebrecht is at it again. Did you know that the Metropolitan Opera has in its repertoire a production of Der Rosenkavalier directed by Jonathan Miller? This interview includes a statement by Dr. Miller insisting his current La boheme (inspired by “the photoÂgraphic world of Brassaï, Cartier-Bresson and Kertezsz,” dontcha know) will be the…
More light entertainment from the First Annual Pitchy Awards: the prancing panniers of Max Emanuel Cencic. [kml_flashembed movie=”http://www.youtube.com/v/5awkNNA7XFM” width=”425″ height=”350″ wmode=”transparent” /]
La Cieca managed to capture a couple of minutes of the gala entertainment at the 2009 Pitchy Awards.
Cher public, La Cieca begs you to consider yourself among the little people to be thanked as your doyenne accepts the award for “Best Overall Classical Music Coverage in a Blog or Newspaper” as awarded by artsjournal’s Life’s a Pitch. La Cieca is honored to be recognized among so eclectic a group of honorees as Mark…
A dramaturg, a renowned actress, an Egyptologist, a Shakespeare expert, an art historian, an opera singer, and Samuel Barber’s biographer walk into… well, not a bar, at least to start with. As a warmup for NYCO’s only opera production of the season, Antony and Cleopatra, the company will present “What Becomes a Legend Most,” a…
For Cassandra and others of the cher public who seem to be interested in the topic: here’s some operatic stage direction that’s a little more advanced than we tend to get here in New York. Discuss.
Grand Tier Grab Bag
Frau Miina-Liisa will es werde Nacht
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Lux aeterna luceat eis
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Kathryn the great
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Count your blessings
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
One man’s Junker
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
Don’t cry because it’s over
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Oh, La Cieca just can’t put anything over on a smartyboots like our own Hans Lick, who guessed within seconds that last week’s Regie quiz was in fact Benvenuto Cellini. Let us hope that even Ironic Hans will be puzzled by this week’s mystery production, after the jump.Â
Yesterday “nonplused” Counter Critic Ryan Tracy unveiled his detailed plan for his directorship of the New York City Opera. Even if his manifesto is meant less than completely seriously, there are some provocative ideas there. But surely the cher public will have their own opinions.
“English National Opera continues its strongest season in years with what promises to be another Jonathan Miller long-runner – a new La Bohème.” [via The Independent]
Miraculous Mariella Devia sings “Casta diva” at a New Year’s Day concert at La Fenice. [kml_flashembed movie=”http://www.youtube.com/v/1rEx2M5zRX0″ width=”425″ height=”350″ wmode=”transparent” /] Mariella Devia at amazon.com
La Cieca wishes to thank you, cher public, for making this year’s Amazon Associates advertising program successful beyond her wildest dreams. And now, the top ten most ordered items of 2008! 1. Wagner: The Great Operas from the Bayreuth Festival 2. Marilyn Horne – The Complete Decca Recitals 3. The Original Jacket Collection: Montserrat Caballé…
[kml_flashembed movie=”http://www.youtube.com/v/_eW1aHmmmwE” width=”425″ height=”350″ wmode=”transparent” /]
Eclectic “not news” site fark.com takes on high culture with their current Photoshop contest. The task: take an image from Francesca Zambello‘s WNO production of the Ring (well, maybe the culture’s not so high after all) and then tweak the context a bit. Best entry so far: The original image and its many variations may…
Brothers under the Lederhosen: Alice Coote and Helmut Berger.
Talk of the Town
Hina Spani should have made it to the Met
A full century after her heyday, Argentine soprano Hina Spani still moves us thanks to her vivid recordings and the savants who have cherished and shared them.
A full century after her heyday, Argentine soprano Hina Spani still moves us thanks to her vivid recordings and the savants who have cherished and shared them.
Anna Caterina Antonacci should have made it to the Met
The one who got away was Anna Caterina Antonacci, a thrilling performer.
The one who got away was Anna Caterina Antonacci, a thrilling performer.
Lina Bruna Rasa should have made it to the Met
In the case of Lina Bruna Rasa, the reasons why she never sang at the Met are painfully clear.
In the case of Lina Bruna Rasa, the reasons why she never sang at the Met are painfully clear.
Conchita Supervia should have made it to the Met
For vibrato fanciers, of course, discovering Supervia is like hitting the mother lode.
For vibrato fanciers, of course, discovering Supervia is like hitting the mother lode.
Gertrud Grob-Prandl should have made it to the Met
Yes, the Met had Birgit Nilsson – so they let the volcano that was Gertrude Grob-Prandl‘s voice slip through their fingers.
Yes, the Met had Birgit Nilsson – so they let the volcano that was Gertrude Grob-Prandl‘s voice slip through their fingers.
Eglise Gutierrez should have made it to the Met
So much color in this beautifully agile voice.
So much color in this beautifully agile voice.
Something is busted on the Met’s website, but that shouldn’t stop you from applying for this week’s $25 weekend night tickets, which after all are for Fleming’s Thaïs and Angela Gheorghiu/Roberto Alagna in the new Rondine. Instructions for this week’s lottery are as follows: Please enter our Weekend Ticket drawing by calling 212-362-6000 before 8:00…
As we approach the new year, La Cieca is gearing herself up to revive the recently dormant Unnatural Acts of Opera. Your doyenne was thinking that an interesting theme for 2009 might be “The Greatest Pirates,” i.e., the most important and impressive live, non-commerical recorded documents of opera. La Cieca is now accepting nominations from…
These videos showed up first on Opera Chic but were posted by babyfairy.
A snippet from “The View” documents the immaculate jawline and unfortunate Keely Smith diction of The Diva of the Future. In keeping with the season, she sings the classic “Awl be whom faw Krismuss.”
In our previous Regie quiz, the eponymous character who managed to avoid being photographed (and, thus the title of the opera) was “La Calisto” by dear old Francesco Cavalli. The production was from the Landestheater Linz, directed by Matthias Davids. An opera from a more recent century, after the jump.Â
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