Recent Stories
Oh wow! It’s “Rob Besserer Week” on The Internet. The world’s favorite Silent Opera Star is featured in a wide variety of offerings.
Mercedes and Sid Bass, the A-list society and philanthropy couple who in 2006 gave the Met $25 million dollars—the largest single unrestricted gift paid at one time from an individual in the company’s then 123-year history—announced their divorce yesterday, ending 23 years of marriage.
Without reading the interview with Rupert Christiansen (or even with reading; it’s predictably dull), can you supply the answer to the tantalizing question “The mezzo-soprano Janet Baker: Why Karajan never called me again?” Your suggestions, the ruder the better, in the comments section, please.
They’re wrong. And what does La Cieca do when she sees a particularly memorable image? She defaces it, of course, and she naturally expects that you, the cher public, will do the same.
In what is without doubt the final chapter of their on-again, off-again romance, Angela Gheorghiu and Roberto Alagna are on again, she says.
The scribe is Zachary Woolfe and the powderkeg topic du jour is Anna Netrebko‘s mid-scene breaking of character.
La Cieca’s spy in London reports: “So first Angela Gheorghiu cancelled this evening’s Traviata Faust at the ROH. On hearing the news, Vittorio Grigolo suddenly came down with a ‘chest infection’ —so the performance is going ahead with James Valenti and Malin Byström.”
“Her catfight with another princess over the emperor’s crown might have been an outtake from The Real Housewives of Babylon.” [New York Post] (Photo: Marty Sohl/Metropolitan Opera)
Grand Tier Grab Bag
Poetic license
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Frau Miina-Liisa will es werde Nacht
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Lux aeterna luceat eis
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Kathryn the great
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Count your blessings
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
One man’s Junker
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
I would never have imagined that the story of Anna Nicole Smith could be today’s entry in a long line of opera’s “fallen women”—pop culture’s reinvention of Violetta, Manon Lescaut, and Lulu. But that is indeed what composer Mark-Anthony Turnage and librettist Richard Thomas have created in Anna Nicole, commissioned by England’s Royal Opera House…
Smartly done, cher diseur de bons mots: Monsieur Hoffmann rightly guessed last week’s puzzler to be Don Giovanni. The production by Doris Dörrie is currently playing the Staatsoper Hamburg. Elsewhere, the Regie never stops, as you will see after the jump.
So Placido Domingo was all like, “Oh, that Anne Midgette is just a mean girl and she is SO JELLUS,” and then Anne was like, “Actually, nuh-uh, maestro, I’m so not.”
Today Our Own Betsy inaugurates the F-K* rating system (*for “F-fete K-nives.”)
La Cieca had never really considered before the possibility that Peter Gelb was a Harry Potter villain, but this image from Channel 13’s Sunday Arts certainly does make one wonder.
“On Thursday, November 17 at 7:30 p.m. in Zankel Hall, the Carnegie Hall Notables—a membership and ticket program for music enthusiasts in their 20s and 30s—will host Love Letters, a performance of contemporary American playwright A. R. Gurney’s work. Celebrated soprano Renée Fleming and award-winning actor Alec Baldwin will perform the piece as directed by…
“Pets are not mentioned.” [Bloomberg Businessweek]
“Anna Bolena… opened at the Metropolitan Opera on Monday in a new production featuring Anna Netrebko and two handsome Irish wolfhounds who helped us get through one very tedious scene.” (Bloomberg News, Manuela Hoelterhoff)
Talk of the Town
Andrée Esposito and Alain Vanzo should have made it to the Met
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
Ebe Stignani and Anita Cerquetti should have made it to the Met
Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.
Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.
Sena Jurinac should have made it to the Met
Sena Jurinac, a celebrated Mozart and Strauss singer here as the Composer, a signature role.
Sena Jurinac, a celebrated Mozart and Strauss singer here as the Composer, a signature role.
Janet Baker should have made it to the Met
The divine Dame Janet Baker never sang at the Metropolitan, sadly for American audiences.
The divine Dame Janet Baker never sang at the Metropolitan, sadly for American audiences.
Dorothy Maynor should have made it to the Met
We had to wait for Marian Anderson to break the color barrier at the Met and many great Black opera singers never had a chance there.
We had to wait for Marian Anderson to break the color barrier at the Met and many great Black opera singers never had a chance there.
Leyla Gencer should have made it to the Met
Leyla Gencer had a long European career but never sang at the Met.
Leyla Gencer had a long European career but never sang at the Met.
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