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The acclaimed Théâtre du Châtelet production of Nixon in China will, unlike the revolution, be televised.
The acclaimed Théâtre du Châtelet production of Nixon in China will, unlike the revolution, be televised.
Brian Kellow‘s “Coda” piece in the current Opera News, summarized: “I’m so cranky that even namedropping has lost its thrill.” (Photo: Ken Howard/Metropolitan Opera)
Tenor Nikolai Schukoff (recently Parsifal in the Lyon production) displays so much furry semi-nudity on his web site that the page should be called “Otter Space.”
Zachary Woolfe went to Las Vegas and all we got was a thoughtful analysis of why Robert Lepage was never a good fit for the Ring.
Like everyone else, La Cieca was watching Mad Men last night, and suddenly something clicked.
This busy production stumped just about everyone.
Let not the warm days of spring tempt you too far away from this week’s discussion of off-topic and general interest subject, cher public!
A sharp-eyed spy at tonight’s performance of Die Walküre at the Met notes that, while there were no malfunctions of the Machine per se, there was an unexpected projection toward the middle of the third act.
It’s hard to think of a rare work by a great composer more tailor-made for a twenty-first century reexamination than Mozart’s Il Sogno di Scipione.
Some days you can feel like a hero just getting out of bed in the morning.
The story is short, but to the point: this soprano has been “sacked” from a major opera house’s gala Puccini revival.
Here’s a taste of what’s in store for the Met’s HD audience on Saturday
La Cieca wants to be among the first to congratulate soprano Ailyn Pérez, who is the winner of the 2012 Richard Tucker Award.
A woman unhappy with the Bolshoi Opera’s controversial staging of Ruslan and Ludmila was denied a one million ruble compensation bid by Moscow’s Tverskoi court on Monday.
Here’s a bit of good news for all you Traviata fans with tickets for tomorrow night’s Met performance or Saturday afternoon’s HD.
An understudy saved the show at the Met’s La Traviata Friday night, but no star was born.
Daniel Barenboim does not want to conduct Berg’s Lulu. Or so it seems.
La Cieca (in larger tiara) thinks it’s high time we all took a break from Regie watching and everything else…
There’s nothing like a good performance of Verdi’s Macbeth and here is proof positive because this dvd is (almost) nothing like a good performance.
Our own Ercole Farnese has alerted La Cieca to a breaking story in Il Secolo XIX: Dessì diserta Genova per amore.
“Since no opera company in the U.S. has quite got up the courage to present a Herheim production, this webcast offers us a chance to sample this director’s unique style of Regie.”
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