Recent Stories
A live broadcast from Venice’s Teatro la Fenice
A new opera company in Hell’s Kitchen is preparing for its first performances of Tosca – and it’s putting the experience of chronic illness front and center.
Donizetti wrote so much great music, it’s hard to single out a favorite opera, or even a preferred aria!
A live broadcast from New York
After her Mimìs in the springtime Bohème, she will perhaps be less under the radar here.
Ida Miccolis (1920-2005), Brazilian soprano, never or rarely sang outside Brazil.
Florian Leopold Gassmann‘s rare comedy live from Milan
Tell us: What’s your favorite Verdi performance?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Grand Tier Grab Bag
Grand Tier Grab Bag
Drink me
Drink me
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Grand Tier Grab Bag
Otherwise occupied
Otherwise occupied
Parterre Box features a performance from two belcantisti who would rather you not think about their political affiliations.
Parterre Box features a performance from two belcantisti who would rather you not think about their political affiliations.
Grand Tier Grab Bag
Northern star
Northern star
Parterre Box previews an upcoming performance of Hercules with Ann Hallenberg in some very unique Baroque repertoire.
Parterre Box previews an upcoming performance of Hercules with Ann Hallenberg in some very unique Baroque repertoire.
Grand Tier Grab Bag
Tra voi belle
Tra voi belle
Following the announcement that she’ll make her Met debut next season, Grand Tier Grab Bag brings Italian soprano Erika Grimaldi to your attention with a duet from Manon Lescaut.
Following the announcement that she’ll make her Met debut next season, Grand Tier Grab Bag brings Italian soprano Erika Grimaldi to your attention with a duet from Manon Lescaut.
Grand Tier Grab Bag
León in winter
León in winter
Ahead of his performance in Les pêcheurs de perles with Washington Concert Opera, Parterre Box features the unusually elegant Anthony León performing Mozart.
Ahead of his performance in Les pêcheurs de perles with Washington Concert Opera, Parterre Box features the unusually elegant Anthony León performing Mozart.
Grand Tier Grab Bag
Assai più vale il soglio
che un genitor perduto
Assai più vale il soglio
che un genitor perduto
Parterre Box highlights a busy few months of Verdi performances for Marina Rebeka and Ludovic Tézier with an exciting sample of their debuts in Nabucco.
Parterre Box highlights a busy few months of Verdi performances for Marina Rebeka and Ludovic Tézier with an exciting sample of their debuts in Nabucco.
One of the great Rossini sopranos of the 1980s and sadly under-recorded in that rep.
One might be surprised to not see the blusteringly charismatic Saioa Hernández mentioned amidst the litany of favorite under-appreciated sopranos. Then one hears what she’s been up to lately.
Look, for one of the most-staged operas in the repertoire, Mozart’s Die Zauberflöte seems awfully difficult to stage.
A live broadcast from New York
Reading Dorothy Kirsten‘s autobiography twice last year made me revisit her work anew.
Back to Rameau again this week with Samson at the Opéra Comique, my third Rameau production in as little as three months, after Les Fêtes d’Hébé in the same house, and Castor et Pollux at the Palais Garnier.
I discovered this magical soprano when I was a teenager, and came across a mixed program RCA Victor LP recital.
This week, Chris’s Cache highlights Bernarda Fink and Inga Kalna in an opera by Johann Gottlieb Naumann
Talk of the Town
The Talk of the Town
A favorite bass performance from La Grunowa
A favorite bass performance from La Grunowa
Tancredi Pasero is so noble in mien and rich-voiced here, a perfect complement to Caniglia’s earthy Leonora who honestly charts the movement from despair to fervent, transcendent faith in this duet.
Tancredi Pasero is so noble in mien and rich-voiced here, a perfect complement to Caniglia’s earthy Leonora who honestly charts the movement from despair to fervent, transcendent faith in this duet.
The Talk of the Town
A favorite bass performance from Cornelia
A favorite bass performance from Cornelia
I don’t know if I’ll ever hear as great a performance as René Pape‘s Gurnemanz.
I don’t know if I’ll ever hear as great a performance as René Pape‘s Gurnemanz.
The Talk of the Town
A favorite bass performance from Bere Wendriner
A favorite bass performance from Bere Wendriner
Cesare Siepi and Giulio Neri give a reference rendition of the Grand Inquisitor scene.
Cesare Siepi and Giulio Neri give a reference rendition of the Grand Inquisitor scene.
The Talk of the Town
A favorite bass performance from Ivy Lin
A favorite bass performance from Ivy Lin
Not much to say here. Legendary bass Mark Reizen was born in the USSR and thus never got to tour much to the west.
Not much to say here. Legendary bass Mark Reizen was born in the USSR and thus never got to tour much to the west.
The Talk of the Town
A favorite bass performance from Krunoslav
A favorite bass performance from Krunoslav
Boris Christoff’s Procida (along with Cerquetti’s Elena) lifts Mario Rossi’s RAI Torino Vespri to distinction.
Boris Christoff’s Procida (along with Cerquetti’s Elena) lifts Mario Rossi’s RAI Torino Vespri to distinction.
The Talk of the Town
A favorite bass performance from Michael Landman-Karny
A favorite bass performance from Michael Landman-Karny
If I must choose a single bass performance, it is still Boris Christoff’s Boris Godunov.
If I must choose a single bass performance, it is still Boris Christoff’s Boris Godunov.
Maria Caniglia sings with unabashed commitment and honesty. She sings as if the music was born with her.
All disciples of the box are reminded one final time to furnish operatic discussion material for the next quarter of The Talk of the Town
Some people were introduced to the art form listening to the Met’s NBC broadcasts on a glowing tube radio or watching acid-trip animated adaptations on the BBC or seeing Elmer Fudd sing, “Kill the Wabbit.” I came to opera through simulated drive-by shootings soundtracked by The Marriage of Figaro.
Aga Mikolaj (born Agnieszka Beata Mikolajczyk) sang Strauss and Mozart with a gorgeous, shimmering tone.
Not exactly obscure, but she has such elegance and poise
