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It’s true, it’s true! Bernadette Peters and Elaine Stritch are going into A Little Night Music! The iconic pair will open in the show on Broadway on July 13. Note: autoplaying video and after the jump!
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This cheerful mug is an image from the trailer for La Scoopenda‘s laff-riot CD I Hope They Serve Beer in Hell or whatever it’s called. Video (which incidentally serves as an elegant proof of Dr. Repertoire’s Seventh Rule for Stage Directors) after the jump.
A snippet of last week’s performance of Le Grand Macabre, after the jump. There’s more video plus details on next week’s broadcast of the Ligeti at nyphil.org.
The American mezzo-soprano and soprano is 79 years old today.
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Some of you may remember a few weeks ago comments veered off into a discussion of relative sizes of 19th century theaters vs. modern opera houses and, specifically, the issue of a stage apron, a playing area that extended past the proscenium into the auditorium proper, therefore allowing singers to take advantage of warmer acoustics…
… and the hope gets darker and darker as La Scoopenda performs Leonard Cohen‘s “Hallelujah.”
The Wizard of Bayrueth was born in Leipzig on May 22, 1813. La Cieca invites the cher public to celebrate Wagner’s mastery of the music drama with selections from his Werk.
When invited to participate in a discourse on artistic standards (hello, internet!), it’s easy — pleasurable, even — for an aesthete to bray about “the fall.” Where are the true heldentenors? Your kingdom for a Callas! (Or a Stratas, or a Rysanek!) And might the public, at long last, deserve a stable of directors who…
Or is La Cieca mistaken: could this rather be Alfred Deller‘s “after hours” show?
Even though La Cieca is sure you will agree with her that “Meglio stasera, che domani o mai. Domani chi lo sa, quel che sarà,” the fact is the server people are still working on parterre.com with a “go” time set for sometime early tomorrow. Be assured that your doyenne will inform you here at…
P.S. The old site will be back tomorrow, promise!
If you’re wondering why the relatively inexperienced George Steel was tapped for the demanding job of hauling the New York City Opera out of the basement — instead of front-runner Francesca Zambello, well, maybe this is why: Zambello, currently in London creating a joint Royal Opera and Royal Ballet production of Tchaikovsky’s comic rarity “The…
Maestro Wenarto shows us how Tosca should be done… as directed by that exciting Regie wunderkind Luc Bondage.
Jonas Kaufmann in his role debut(!) as Lohengrin. This is a great, great artist.
