Questo e Quello

Overture! Light the lights!

This is it, cher public, the big night… and you’ve found the place to be. The traditional (that word again!) yakfest during the Met’s opening night festivities will take place here at parterre.com from 6:00 pm until the curtain falls. Members of the public attending the event proper or the various HD relays are invited […]

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Celebrate!

Two days ago, Thurdsay, September 17, marked a new peak for parterre.com. On that day, you, the cher public, viewed the site a total of a whopping 18,323 times — the highest number of pageviews on a single day ever recorded! La Cieca suggests you all treat yourselves to Champagne, and your doyenne may just […]

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Flan club

La Cieca thinks the following is among the most obnoxious puffery things ever written about an opera singer, and it’s surely the worst bit in the tongue bath the New York Times Magazine gives Danielle de Niese: 

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Whaddyacallit

She’s been dubbed “The Beautiful Voice,” “America’s Soprano,” “Opera MILF,” “Ney-Ney,” and now “The People’s Diva.” If there’s anything Renée Fleming doesn’t need, it’s another, whaddyacallit, another sobriquet. And yet, La Cieca does not consider need when she’s feeling generous, so she has decided that it is time to create yet one more nickname for […]

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Met broadcast schedule, 2009-2010

Presenting just for you, cher public, the complete Sirius/XM Metropolitan Opera broadcast schedule for 2009-1010. Performances on dates highlighted in bold will also be streamed via RealNetworks from the Met’s website. Season premieres are marked with (P). Obviously you are going to want to chat about some of these broadcasts, so let La Cieca know in […]

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Heilige Kunst

What, you ask, is “Kunst?” I’ll tell you what Kunst is. Kunst is appearing on the stage of the Paris Opéra at the age of 53 wearing ballet flats, mom jeans, a Wal-Mart top, and a wig from the Evelyn Lear “Who’s Afraid of Virginia Woolf” wash ‘n’ wear collection. That’s what Kunst is. (Waltraud […]

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Vicar aghast at codswallop

“Italian opera has never been more popular. It has also never been in greater need of Italian voices. No matter how good the alternatives, a home-grown voice, properly schooled, transforms the sound of Verdi. It is not just the diction or timbre. It is the tradition . . . . Nicholas Hytner’s staging … remains […]

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