La Cieca

James Jorden (who wrote under the names "La Cieca" and "Our Own JJ") was the founder and editor of parterre box. During his 20 year career as an opera critic he wrote for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He also raised his voice in punditry on National Public Radio. From time to time he directed opera, including three unsuccessful productions of Don Giovanni. He also contributed a regular column on opera for the New York Observer. James died in October 2023.

The once and future queen The once and future queen

In addition to her first Met Aida performances next season, forthcoming projects for the one and only Anna Netrebko just keep gushing out.

Broadcast: The Ghosts of Versailles Broadcast: The Ghosts of Versailles

This afternoon at 1:00 PM, The Ghosts of Versailles from Los Angeles Opera: all this and Patti LuPone too!

Telecast: La Traviata Telecast: La Traviata

Michael Fabiano and Sonya Yoncheva star in Great Performances at the Met’s telecast of La Traviata tonight at 9:00 PM.

Nile, see you in my dreams Nile, see you in my dreams

A spokesman for Anna Netrebko informs parterre box that the diva is scheduled to sing Aïda at the Met during the 2018-2019 season.

They’ll be gaga at the rogo! They’ll be gaga at the rogo!

La Cieca hears that the controversial but parterre-acclaimed Norma of Cecilia Bartoli will tour to the Brooklyn Academy of Music in (our informant says) “an upcoming season.”

Vous ne pouvez pas rester ici toute seule Vous ne pouvez pas rester ici toute seule

A new Pelléas et Mélisande from the Vienna State Opera featuring Simon Keenlyside as Golaud.

Don’t send in the clowns Don’t send in the clowns

La Cieca sadly notes that LoftOpera has postponed their production of Pagliaccci (scheduled to open September 15) until a later date to be announced.

Vedrai, piccolo amor Vedrai, piccolo amor

Good news, Puccini fans!

Mimecraft Mimecraft

Our Own JJ (not pictured) muses on the difficulty of staging Mozart’s greatest opera in his latest piece for the New York Times.

“Madame is the greatest diva of them all” “Madame is the greatest diva of them all”

And after this CD (due in October) she’ll make another, and another!

“Whatever it is, I’m against it” “Whatever it is, I’m against it”

“I was shocked and did not understand anything anymore. I was 13 at this time.”

Fun laughs good times Fun laughs good times

The legendary performance of “Hey Big Spender” by Marilyn Horne, Carol Burnett and Eileen Farrell has shown up on YouTube.

Broadcast: Aïda Broadcast: Aïda

Listening and discussion of the new Salzburg Festival Aïda, featuring Anna Netrebko in her role debut as the titular princess in captivity.

Who (if anyone) wore it better? Who (if anyone) wore it better?

Shirley Verrett in 1973 or Anna Netrebko on Sunday?

Opolais your woman now Opolais your woman now

‘Bess, you is my woman now,’ featuring both Ms. Opolais and Sir Bryn.

“And the usherette was all out of raspberry ripple lollies!” “And the usherette was all out of raspberry ripple lollies!”

Long-time followers of Norman Lebrecht will not be surprised in the least to hear this.

Forging ahead Forging ahead

Let’s listen, cher public, to Siegfried, live from the Bayreuth Festival, starting at 10:00 AM.

Broadcast: Die Walküre Broadcast: Die Walküre

The Bayreuth Ring (and perhaps the parterre discussion?) continues at 10:00 AM.

Broadcast: Das Rheingold Broadcast: Das Rheingold

Get your kicks on Siegfried-Wagner-Alee.

Princess in captivity Princess in captivity

A first glimpse of Anna Netrebko‘s styling for her role debut as Aïda at Salzburg.

Alex’s case Alex’s case

Has “opera-queen culture” really burned out?

Broadcast: Parsifal Broadcast: Parsifal

We move on to Bayreuth’s revival of Parsifal.

Unbridled enthusiasm Unbridled enthusiasm

“You see, Elaine, Dimitrij was a simple country boy, you might say a cockeyed optimist…”

“A. Netrebko Sings Oltrano” “A. Netrebko Sings Oltrano”

Overhearing preparations for the Salzburg Aïda.