La Cieca
James Jorden (who writes under the names "La Cieca" and "Our Own JJ") is the founder and editor of parterre box. During his 20 year career as an opera critic he has written for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He has also raised his voice in punditry on National Public Radio. From time to time he has directed opera, including three unsuccessful productions of Don Giovanni, a work he hopes to return to someday. Currently he alternates his doyenne duties with writing a weekly column on opera for the New York Observer.
La Cieca is sorry, sorry, sorry about the downtime on parterre.com. The hosting company blames wordpress, and wordpress blames the host, and La Cieca is very rattled right now. If you can hook La Cieca up with someone who knows about PHP and SQL databases, please email her at [email protected] . Thanks, folks.
By La Cieca
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La Cieca’s trying a new look for parterre.com, since she must confess that the light-on-dark format was beginning to get a little wearing on her aging eyes. Comments? Suggestions?
By La Cieca
As you all know by now, Rolando Villazón is out of the rest of the performances of L’elisir at the Met. The Met press office held on to this news until after 7:00 tonight, which is perhaps some indication of just how bad the Met considers this news to be. This is what La Cieca…
By La Cieca
“And a sweeping tale it is even if you just listen to the romantic strings alone . . . but here’s a video of Sherril Milnes as Minnie fielding Sherriff Rance’s advances.” [examiner.com]
By La Cieca
As La Cieca hardly thinks she needs tell you, among the attributes of a prima donna necessary to the success of a performance of Adriana Lecouvreur are morbidezza, il sacro fuoco, voce di petto and of course the ability to wear a turban. And surely you do realize that, sad to say, not everyone can pull off a turban.Â
By La Cieca
She’s headlined at the Paris Opera and the Met. She’s sung for kings and queens and for Nelson Riddle. She’s provoked feuds with teenagers. But now Dame Kiri te Kanawa has revealed a hitherto undiscovered talent: fighting crime. The mayor of a New Zealand city plays recordings of the Kiwi songbird in order to deter…
By La Cieca
[kml_flashembed movie=”http://www.youtube.com/v/2bY1unOjt7w” width=”425″ height=”350″ wmode=”transparent” /] “I just think she always sounds like she’s drunk, especially when she tries to be serious.” – YouTube Commenter
By La Cieca
Christine Brewer and Linda Watson will share the role of Brünnhilde in Wagner’s Der Ring des Nibelungen in all performances at the Met this season. Lisa Gasteen was originally scheduled to sing Brünnhilde in the second and third cycles, but has withdrawn from the performances due to a back injury. Brewer will replace her in…
By La Cieca
[This caption by rysanekfreak replaces La Cieca’s original, “So it’s agreed: Roberto gets the house in Monte Carlo; Angela gets custody of the gays”.]
By La Cieca
When la Cieca’s dear friend and chief flunky around parterre.com JJ shlepped out this morning to fetch a copy of the New York Post, he seemed oddly keyed up. “With what I got in me, I could have been better than any of you,” JJ muttered. Flinging the tabloid down on the breakfast bar, he…
By La Cieca
Tony Tommasini weighs in on the Met’s Sonnambula.
By La Cieca
A quick YouTube search for “opera” this morning yields this startling snippet. [kml_flashembed movie=”http://www.youtube.com/v/EM1YsAZnBAU” width=”425″ height=”350″ wmode=”transparent” /]
By La Cieca
La Cieca thanks all you cher public who participated in the live chat during the broadcast of La sonnambula, and a special thanks to featuring your guest host Sanford.
By La Cieca
La Cieca invites you to join guest host Sanford and the cher public for a friendly little webchat tonight, March 2, 2009 during the broadcast on Sirius and RealNetworks of Bellini’s La sonnambula live from the Metropolitan Opera. Please check back at parterre.com at 7:45 PM to access the chat login screen.
By La Cieca
Patricia Racette takes over the remaining performances of Madama Butterfly this season (March 3 and 7) at the Met including the HD telecast, “replacing Cristina Gallardo-Domâs who is ill.”
By La Cieca
Quite a few of you, led by Chris, guessed correctly that last week’s Regie puzzler was La bohème. So La Cieca will ratchet up the challenge a bit this week with a less familiar opera.Â
By La Cieca
It’s good to know that after the nuclear apocalypse there will still be Lois Kirschenbaum to keep Cher and the cockroaches company. [kml_flashembed movie=”http://www.youtube.com/v/FGnWt7pWRPs” width=”425″ height=”350″ wmode=”transparent” /]
By La Cieca
… does Sondra Radvanovsky (particularly in middle voice) sound eerily like Shirley Verrett?
By La Cieca
[Our Own Gualtier Malde (along with a few thousand other people) attended the public dress rehearsal of the Met’s new production of La sonnambula this morning. Here is his report.] Innocence, rustic naiveté and virginity just don’t get no respect no more. I should know, I grew up way out in central New Jersey and…
By La Cieca
La Cieca hears the distressing news from Paris that Rolando Villazon was advised by his current management to cancel his March appearances as Werther in order to “rest and refresh the voice,” but as of today is still planning to go on in the Massenet opera. Villazon’s appearances in Paris run through March 18, leaving…
By La Cieca
La Cieca continues her salute to the diamond birthday of Renata Scotto with a new episode of Unnatural Acts of Opera. The podcast features the first act of La sonnambula as performed at the Teatro la Fenice on May 26, 1961. La sonnambula, act 1 Renata Scotto (Amina), Alfredo Kraus (Elivino), Ivo Vinco (Rodolfo), Rosa…
By La Cieca
[La Cieca’s old, old, old friend Camille attended Montserrat Caballe‘s Valentine’s Day duo recital earlier this month. Her reactions — which she admits it took her some days to sort out in her mind — follow.] After some reflection and reviewing Caballe’s Orange Festival Norma, once again, I can merely pipe up with my opinion…
By La Cieca
