La Cieca
James Jorden (who wrote under the names "La Cieca" and "Our Own JJ") was the founder and editor of parterre box. During his 20 year career as an opera critic he wrote for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He also raised his voice in punditry on National Public Radio. From time to time he directed opera, including three unsuccessful productions of Don Giovanni. He also contributed a regular column on opera for the New York Observer. James died in October 2023.
The voyages of CruzSF and his parterre box t-shirt continue as they visit the War Memorial Opera House in sunny San Francisco.
Legendary diva Martina Arroyo chats with Our Own JJ about learning, teaching and The Odd Couple. [New York Post]
La Cieca (pictured) can hardly muster a messa di voce after the overwhelming torrent of entries in the “You Can Ring My Bel Canto” competition, but after hours of careful consideration and hobnobbing with my fellow doyennes, I have finally come do a decision as to who should be considered a prima inter pares.
Chicago’s William Mason will ankle Lyric Opera at the end of the 2011-2012 season. John von Rhein‘s list of dreary white male possible successors is as good evidence as La Cieca has seen recently of the value of thinking outside the box. [Chicago Tribune]
The all-American diva was born 100 years ago today!
Juan Diego Flórez and Jerry Seinfeld compete to decide who has the puffiest shirt of them all.
La Cieca has just heard that the legendary basso cantante, star of well over 400 performances at the Met, died earlier today in Atlanta.
OpinionatedNeophyte was certainly heading in the right direction when he (she?) guessed our previous Regie quiz suggested Médée. That Greek sorceress was indeed in attendance, but maestro Cherubini had nothing to do with it, because the opera in question was Mayr’s Medea in Corinto. The director was Hans Neuenfels, at the Bayerische Staatsoper. And that…
Those of you escaping the summer heat this afternoon may want to gather ’round for a performance of Don Giovanni (featuring recent convert to the shaved-noggin lifestyle Bo Skovhus) live from the Festival d’Aix-en-Provence, beginning at 3:30 New York time.
The birthday of our nation provides yet one more opportunity for “America’s Diva” Renée Fleming to demonstrate that she is indeed the Patti of our day. No, not Adelina so much, more like Sandi.
The legendary conductor and the protean mezzo-soprano were born on July 3, in 1930 and 1939 respectively.
Though she has not made many in-person appearances on the weekend chat since the summer began, La Cieca has realized (or has been told, truth be told) that directing parterrians, even by means of a democratic vote, is not any easier than herding cats. Which is to say, you guys who are chatting on Saturday…
Our sometime correspondent Seth Colter Walls sees in new PBS leadership a chance for a wider reach for “the splashiest happenings in America’s resurgent classical-music culture.” [Newsweek]
Once again it takes an out-of-towner to write sensibly about Peter Gelb and the Met, though the “out of town” here refers only to geography: Anne Midgette is at heart and soul a New York newshen. [The Classical Beat]
Since last night marked the debut of history’s newest and perkiest interpreter of the role of Norma, and (more to the point) since Bellini’s druid priestess will grace the woods of Katonah, NY during the month of July, La Cieca thought it would be exciting to organize a YouTube competition on the theme of bel…
“I’ve been moving on stage all my life and I can still manage long rehearsal periods, so I feel fine in the right repertoire…. I just don’t want to go further than I should. I suppose there’s a certain limit: I don’t want to be 70 and still singing opera. I don’t think I will…
Congratulations to SF Guy (pictured), for his winning entry in the “Tout gai!” competition. A copy of the newly-released DVD The Metropolitan Opera Gala 1991: 25th Anniversary at Lincoln Center is currently winging its way City by the Bay-ward.
“…she, according to the habit of women and cats, who do not come when you call them, but come when you refrain from calling them, -she halted in front of me and spoke to me.” (Prosper Mérimée)
Congratulations to the many, many of the cher public (pictured above) who really outgayed themselves (if such a thing is possible) with their vigorous and multiple entries in the “Tout gai!” video competition. The results of these perverse efforts can best be summed up in the phrase “gayer than eight guys fucking nine guys,” which…
“World class tenor Rolando Villazón is ‘excited’” [Metro.co.uk]
A member of the cher public reminds La Cieca, “How soon do we start wondering who will conduct the new Rheingold at the Met? I thought I would see Jimmy at Tanglewood next week for the Mahler 2nd, but Mikey Twinkle-Toes will be in charge that evening.” La Cieca’s answer: it’s never too soon to…
The inimitable Hans Lick has done it again, and before you exclaim “Done what again? Doesn’t he know the meaning of the word probation?” let La Cieca hasten to add that what he’s done is to guess last week’s Regie quiz, and right on the nose he was with Idomeneo. (This Katie Mitchell production for…
Lucio Gallo‘s name has quietly been substituted for that of Juha Uusitalo in the Met’s 2010-2011 performances of La fanciulla del West.
UPDATE: La Cieca is calling this one for Le Damnation de Faust. The performance (and chat) starts at 1:00 pm EDT, and the list of online stations carrying the WFMT broadcast may be found here.
Tell us: What’s your favorite Verdi performance?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
