La Cieca

James Jorden (who wrote under the names "La Cieca" and "Our Own JJ") was the founder and editor of parterre box. During his 20 year career as an opera critic he wrote for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He also raised his voice in punditry on National Public Radio. From time to time he directed opera, including three unsuccessful productions of Don Giovanni. He also contributed a regular column on opera for the New York Observer. James died in October 2023.

You were dead, you know

Three-time Met régisseuse Mary Zimmerman is taking it to the Windy City, helming a “newly adapted” Candide for Chicago’s Goodman Theatre. “Danny Pelzig choreographs the cataclysmic events that ensue.” [broadwayworld.com]

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L’argent fait stealth attacks

Congratuations to David H. Koch for a lavish profile in The New Yorker celebrating his social success with Kennedys and Trumps and especially his munificence with artistic and cultural organizations including the New York City Opera!  And further kudos to The New Yorker for noting high up in the article that the publicity-shy philanthropist is […]

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Funny valentine

This just in from the Met press office: “Andrea Bocelli will make his solo recital debut at the Metropolitan Opera House on Sunday, February 13, 2011 at 5:00 p.m. The performance will feature the celebrated Italian tenor singing a program of arias by Handel, and lieder and art songs by Beethoven, Wagner, Liszt, Richard Strauss, […]

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Regie est de retour

The end of the summer has been a quiet time for new opera production, but La Cieca realized she’d left you all having on the most recent Regie quiz. Or not hanging so much, actually, because calatrava guessed it: Il barbiere di Siviglia, a production by Claus Guth.  An all-new, insect-free quiz follow the jump.

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There will be blood

As perhaps you know, if there’s anyone Norman Lebrecht hates more than opera singers and superstar conductors, it’s artists’ managers. So imagine his glee when he got his mitts on an email “leaked… in the dark of night” detailing “the balance of terror that prevails between a soloist and the person who supposedly has his […]

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Call for reviewers

It’s just a little over a month until “The Season” starts here in New York — though La Cieca hears that there is opera done elsewhere and she hopes someone will keep her up to date on this trend — but, anyway, what with the Season starting and the glittering crowds and shimmering clouds in […]

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Verklärung

La Cieca hears that the Hildegard Behrens Foundation will be launched today, the first anniversary of the death of the German dramatic soprano. First activities of the group will include bestowing grants on the Metropolitan Opera Lindemann Young Artist Development Program and the YOA Orchestra of the Americas.

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In a box, simple pine

So, just as an anchor posting for a return to discussion of Mawrdew Czgowchwz (to resume Wednesday morning), La Cieca offers a little trivia question for the cher public. No prizes for the winner, but your doyenne is sure that sheer competitiveness will inspire you as so often before.

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Fais pâlir les étoiles!

La Cieca just heard that Stephen Costello goes on tonight (i.e., in just a few hours) in Roméo et Juliette at the Salzburg Festival opposite Anna Netrebko. He’s jumping in for Piotr Beczala, who, if you ask Norman Lebrecht, is probably malingering with a South Seas cutie.

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No cure for the common scold

Every time La Cieca says she’s through once and for all reading Norman Lebrecht, that middlebrow minstrel of the maestro myth soars to new heights of noisomeness. This time (yet again) it’s about how utterly callous those silly opera singers are for canceling (imagine!) when they’re too sick to sing.  

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Together wherever we go

La Cieca must say that, for a chick, Katharina Wagner sure doesn’t talk much. But perhaps her reticence is something of a blessing, since it prevents her from spouting such facile generalizations as “…’Die Meistersinger,’ Hitler’s favorite Wagner opera.”  

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Plain speaking

Martin Bernheimer, who was wise long before most of the rest of us were on solid food, writes what is likely to be remembered as the definitive essay on the Donald Rosenberg/Plain Dealer situation.

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The Whales of Chat

Our Own Dear Betsy reports: Right this way, ladies and gentlemen, for The Greatest Show on Earth, the world-famous La Cieca Chat. Feted (“Fated”? “Fetid”?) artistes from the far corners of the planet demolish reputations with a single mot. SEE — dainty Mam’zelle Manou soar high above the heads of the crowd in flights of […]

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Che sera, Sarah

La Cieca has just heard (from no less a source than Sarah Billinghurst herself!) a tidbit that will no doubt interest Daniel Stephen Johnson among many others. It seems that the Met will produce Prince Igor in 2013 with Valery Gergiev (naturally) conducting and Dmitri Tcherniakov directing. The Prince himself will be Ildar Abdrazakov.

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Close reading

It may seem quixotic that La Cieca subscribes to Opera News, and the print version at that, but, after all, the dear people there were kind enough to interview Our Own JJ last summer on the subject of this very cum-blog, so, well, noblesse oblige and all that, you know. Since the mag is showing […]

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The road to Manderley

From time to time the younger queens ask La Cieca, “Why does all the camp date back decades? Did something happen to camp? Why is there no new camp? Where should we look to find our own 21st century camp? Now La Cieca has an answer for you young queens. Look no further! Camp, with […]

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Put a Ring on it

With over 2,600 votes cast over the course of last week, you, the cher public have spoken about which operas in the Met’s repertoire will be de rigueur, can’t miss, where-the-elite-meet Sternstunden, and which productions promise no more than a great big snooze. The top ten Met offerings will be Die Walküre, Das Rheingold, Le […]

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Jimmiography

In celebration of James Levine‘s 40th anniversary at the Met, the company is releasing two massive collections of previously (mostly) unavailable material conducted by the maestro. Highlights include video performances of Smetana’s The Bartered Bride (Teresa Stratas, Nicolai Gedda, Jon Vickers, Martti Talvela), and Der Rosenkavalier (Kiri Te Kanawa, Tatiana Troyanos, Judith Blegen, Luciano Pavarotti, […]

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