La Cieca

James Jorden (who wrote under the names "La Cieca" and "Our Own JJ") was the founder and editor of parterre box. During his 20 year career as an opera critic he wrote for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He also raised his voice in punditry on National Public Radio. From time to time he directed opera, including three unsuccessful productions of Don Giovanni. He also contributed a regular column on opera for the New York Observer. James died in October 2023.

Box on boxes

Now available on Amazon.com: James Levine: Celebrating 40 Years at the Met – CD Box Set and James Levine: Celebrating 40 Years at the Met – DVD Box Set, as recently reviewed on parterre.com.

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More than a Kunstdiva

Parterre Contemporary Diva finalist Cecilia Bartoli has added another hat to already extensive headgear wardrobe: artistic director of the Salzburg Whitsun Festival.  Her first project: Handel’s Giulio Cesare in 2012. [Washington Post]

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Dr. Carbon

David H. Koch, best known here in New York as the guy they named the theater after, is active on other coasts as well. In fact, just this morning it was announced that he (and his brother) have invested ONE MILLION DOLLARS in an effort to overturn a California law “that many hoped would serve […]

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Anxiety, cum-blog vital, say divas

Monsters and Critics reveals: “Although acclaimed mezzo-soprano Cecilia Bartoli has achieved almost everything there is to achieve in the world of classical music, she says she is still anxious ahead of every performance. In an interview with the German Press Agency dpa this week, the 44-year-old Italian opera star said a certain dose of stage […]

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Regie sharp

A little deductive reasoning applied to a little black dress resulted in a late in the game victory for cosmodimontevergine: in the most recent Regie quiz the director (as revealed by his signature minimalist frock) was Christoph Loy, and work was Les Vêpres Siciliennes for the Nederlandse Opera.  More quiz follows after a minimal jump. […]

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Chat in exile

Betsy is back in Pike or wherever she hails from, so this week we don’t have the usual smörgåsbord of listening selections she ordinarily provides. Our Own Hans Lick, though, has nominated a brace of broadcasts of possible interest to the cher public.

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Nymph errant

Takesha Meshé Kizart will make her Met debut as Musetta in Puccini’s La Bohème on October 16, also singing performances on October 20, 23, 28, November 1, and 5.  She replaces the originally announced Kristine Opolais, who has “withdrawn“. (In case you’re wondering, Nina Stemme was the one who canceled.) (Photo: Maja Slavec)

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Puff piece

The Board of Directors of New York City Opera has announced that Charles R. Wall was unanimously elected Chairman of the Board effective December 16, 2010. He succeeds Susan L. Baker, who will “step down” after seven years of “dedicated service.” 

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“Style, not sincerity, is the vital thing”

Now, don’t you go thinking that Peter Gelb doesn’t listen to his public, which intersects quite steeply, of course, with the cher public.  For instance, just the other day La Cieca and a couple of others were lamenting that opera has lost some of it mad silly gay folie lately. Lo and behold, today it […]

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Everybody dance now!

“It doesn’t fucking matter if he means it, because the dancers need to dance!” No, that’s not, in fact, the refrain of the latest techno hit burning up the dancefloor, but rather society chronicler David Patrick Columbia, talking with Zachary Woolfe about “the web of money, power and ambiguous motives that has for a long […]

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Par le Regie et par l’opulence

In a whole month of guessing at our most recent Regie quiz, only Melot’s Younger Brother and PirateJenny were able to narrow in on what is after all a very fringey part of the opera repertoire: Graun’s Montezuma, with a libretto by Frederick the Great. (The work was directed for the Edinburgh International Festival by […]

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Einspring is in the air

American soprano Ailyn Perez made her Royal Opera debut last night on the company’s tour in Japan, singing two-thirds of the role of Violetta when the scheduled soprano, Ermonela Jaho, canceled after a rocky first act. (Jaho herself was a late substitute for the ever more elusive Angela Gheorghiu.) A witness to the performance says, […]

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