La Cieca

James Jorden (who wrote under the names "La Cieca" and "Our Own JJ") was the founder and editor of parterre box. During his 20 year career as an opera critic he wrote for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He also raised his voice in punditry on National Public Radio. From time to time he directed opera, including three unsuccessful productions of Don Giovanni. He also contributed a regular column on opera for the New York Observer. James died in October 2023.

Over the moon Over the moon

Mariella Devia will augment her already vast bel canto repertoire next year with the role of roles: Bellini’s Norma.

Decrease your word power Decrease your word power

La Cieca is starting a new series of Words Critics Need to Stop Using.

Der Pelz wird fliegen Der Pelz wird fliegen

The guest soloist at the the Wiener Opernball was just introduced as “Rumäniens Antwort auf Anna Netrebko, Angela Gheorghiu.”

Charles Anthony 1929-2012 Charles Anthony 1929-2012

The comprimario tenor, veteran of 2,928 performances at the Met, died earlier today. He was 82.

Armiliato qua, Armiliato là Armiliato qua, Armiliato là

“This is the highest number of performances for a conductor in a single week in Met history.”

She’s fallen and she can’t get up She’s fallen and she can’t get up

“New York City Opera performed La Traviata at BAM Sunday afternoon. That’s who, what, where and when. But this was a performance without a ‘why’.”

Curtain going up, or whatever it is curtains will do in the future Curtain going up, or whatever it is curtains will do in the future

Will robots replace prompters? Will random number generators replace stage directors?

To the victors go the DVDs To the victors go the DVDs

Congratulations and thanks to all the many, many parterriani who participated in the second annual Bühnenweihfestspielkrieg

A new low in linkbait A new low in linkbait

“Less than 24 hours after the death of pop-star Whitney Houston, the color-blind casting of Violetta Valery…. gave the 159-year old opera a jolt of relevance.”

Stop! or my mom will percuss Stop! or my mom will percuss

“No tenors, no arias, no orchestra pit, no plot. Can You, My Mother really be called an opera?”

Wet and wild intermission feature Wet and wild intermission feature

La Cieca invites the cher public to discuss off-topic and general interest subjects during the week of February 12.

Master of two servants Master of two servants

Kyle Ketelsen and Bryn Terfel will sing four performances each of the role of Leporello in upcoming Met performances of Don Giovanni.

After the apocalypse After the apocalypse

A reminder, cher public, that the Bühnenweihfestspielkrieg will finish tomorrow afternoon at the end of the broadcast/HD performance of Götterdämmerung from the Met.

Thank you for your patience! Thank you for your patience!

After an earlier outage, parterre.com is now restored 100% .

Blind probe Blind probe

Which opera production set off fireworks at the very first rehearsal when a leading lady was fired on the spot?

Cheers, thanks a lot! Cheers, thanks a lot!

Congratulations to America’s Diva Renée Fleming, starring in the world premiere of Henri Dutilleux‘s opera buffa Absolutely Fabulous.

Countdown to HD Countdown to HD

Katarina Dalayman will sing the role of Brünnhilde in this evening’s performance of Wagner’s Götterdämmerung

Better late Better late

You’d think the intermission here at parterre are as long as those at the Met’s Ernani

Son io! Son io!

La Cieca hears that Anna Netrebko will sing her first Norma at Covent Garden in 2016.

Castille soap Castille soap

“A revival of Verdi’s Ernani at the Met on Thursday proved tastefully understated. In other words, it missed the point entirely.”

Against the grain Against the grain

“Revelation comes in the strangest places.”

A sweet mistake A sweet mistake

La Cieca asks: what do Julia Migenes, Carol Neblett, Joyce Castle, Marilyn Zschau and Linda Roarke-Strummer have in common?

Doom generation Doom generation

The cover art says it all. Dmitri Hvorostovsky, his mouth a grim line, gazes sidelong at the title of his latest album Rachmaninov Romances.

Bühnenweihfestspielkrieg, part deux Bühnenweihfestspielkrieg, part deux

Following up on last year’s popular Bühnenweihfestspielkrieg competition, a challenge to be detailed after the jump.