La Cieca
James Jorden (who wrote under the names "La Cieca" and "Our Own JJ") was the founder and editor of parterre box. During his 20 year career as an opera critic he wrote for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He also raised his voice in punditry on National Public Radio. From time to time he directed opera, including three unsuccessful productions of Don Giovanni. He also contributed a regular column on opera for the New York Observer. James died in October 2023.
“The labor strife at the Metropolitan Opera took on a new urgency Wednesday, when the company’s general manager, Peter Gelb, sent its orchestra, chorus, stagehands and other workers letters warning them to prepare for a lockout if no contract deal is reached by next week.”
“Renee Fleming appears to be having as much fun as the audience with her send-up of a fragile opera diva.” [Troy Record]
Our Own Jungfer Marianne Leitmetzerin gets all giddy and girlish as she salutes the opening of the 103rd Bayreuth Festival this week.
No need to crowd, cher public: there’s plenty of room for everyone to discuss off-topic and general interest subjects.
“Peter Gelb says opera in the United States is having trouble finding an audience.”
Today is the 100th anniversary of the birth of that superb American soprano Eleanor Steber.
One of the late Mike Richter‘s most endearing traits was his fascination with rare or downright offbeat recordings, such as this complete 1963 performance of Verdi’s Don Carlos in Russian by artists of the Bolshoi.
“The description I read of this Boris, which I have not seen…”
Starting in less than half an hour, “Le Concert de Paris.”
Our Own Jungfer Marianne Leizmetzerin delves into the seedy personal lives of royalty (especially queens) with this performance of Semiramide from San Francisco.
The prolific American conductor and composer died earlier today in Virginia.
Never let it be said that La Cieca does not pamper her cher public. After the jump, and exclusively on the web, listen to the role debut of Anna Netrebko in Verdi’s Macbeth.
In celebration of the 90th anniversary of the birth of Carlo Bergonzi, our friends at Opera Depot are offering discounts on their entire catalog of the legendary tenor’s performances.
If Facebook is to be believed, Anna Netrebko and “Azerbaijani tenor Yusif Eyvazov (age 37)” are engaged.
Mike Richter, via CD-ROM, takes us back to the golden age of concert opera in New York City with Il pirata starring Montserrat Caballé.
“How the Dying Composer’s Sentimental Whim Was Invoked by Lucy Arbell, the English Prima Donna, to Forbid Mary Garden to Sing the Title Role in Cleopatra.”
An uplifting way to start the week from Our Own Jungfer Marianne Leitmetzerin: a performance of Gluck’s Iphigénie en Aulide under the baton of Riccardo Muti.
La Cieca would never kid you, cher public: it’s that time of the week when we discuss off-topic and general interest subjects.
What better way to celebrate the birthday of the USA than with a fusillade of coloratura fireworks, garnered from the YouTube page of our lovely friend Coloraturafan?
So, if the opening of the Met season is canceled, Anna Netrebko can always find work as a replacement Yitzhak on Broadway.
Our Own Dawn Fatale (artist’s conception) will take to the airwaves of Bloomberg Radio this evening at 9:00 pm to discuss the Met’s current woes.
“Dress size is like a delicate exotic fruit; touch it and the bloom is gone.”
Worried about the future of opera in America? Don’t be!
It’s been too long, cher public, since La Cieca last lauded the true unsung heroes of parterre box: our advertisers.
Tell us: What’s your favorite Verdi performance?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
