Christopher Corwin
Christopher Corwin began writing for parterre box in 2011 under the pen name “DeCaffarrelli.” His work has also appeared in , The New York Times, Musical America, The Observer, San Francisco Classical Voice and BAMNotes. Like many, he came to opera via the Saturday Met Opera broadcasts which he began listening to at age 11. His particular enthusiasm is 17th and 18th century opera. Since 2015 he has curated the weekly podcast Trove Thursday on parterre box presenting live recordings.
“Trove Thursday” presents Ann Hallenberg and Franco Fagioli in the title roles of a true rarity: Giulietta e Romeo by Niccolò Antonio Zingarelli.
To mark Mozart’s 260th birthday tomorrow, “Trove Thursday” offers his infrequently performed bucolic opera Il Re Pastore with the sublime Arleen Augér as its heroine and Edith Mathis as her shepherd-lover.
“Trove Thursday” offers a sparkling performance of Rossini’s La Cenerentola from our nation’s capital featuring the scintillating conducting of Claudio Abbado and Lucia Valentini-Terrani in the title role.
Les Pêcheurs de Perles with an impressive Francophone cast headed by the superb Nadir of Alain Vanzo, one of my favorite tenors.
2017 happily brings the return of Trove Thursday with a rare and enthralling live performance of Gluck’s Alceste featuring Jessye Norman.
“Trove Thursday” instead presents a rare Cavalli opera, Il Xerse, from 1665, featuring the lovely Swedish mezzo Kristina Hammarström in the title role.
“Trove Thursday” has resurrected Hérold’s Zampa, ou La fiancée de marbre performed by Les Arts Florissants.
Idomeneo proved enormously moving while a much more complicated Così fan Tutte went for shallow romantic hijinks stripping that work of its darkly ambiguous disturbing view of love.
As promised, “Trove Thursday” offers Don Quichote chez la duchesse, a second nearly unknown opera based on Cervantes’ towering literary masterpiece.
“Trove Thursday” offers a Der Fliegende Holländer from New York City Opera featuring the underrated American soprano Johanna Meier.
Puccini’s Madama Butterfly with an unexpected heroine: the electrifying Julia Varady, seduced and abandoned by the suavely ardent Giacomo Aragall.
Opera at Caramoor rallied Sunday afternoon with an admirable if erratic performance of Fidelio which was especially memorable for South African soprano Elza van den Heever’s thrilling first-ever Leonore.
“Trove Thursday” presents Beethoven’s Leonore, conducted by Erich Leinsdorf .
The unevenly-beating Heart unfortunately proved less than the sum of its deluxe parts.
This year as part of Bard’s “Puccini and His World” festival audiences may witness the resurrection of Mascagni’s distinctly odd Iris.
Thanks to the generosity of a parterre reader, “Trove Thursday” presents a rare recording from the famed Carnegie Hall series curated by Matthew Epstein to commemorate Handel’s tercentenary.
“Trove Thursday” presentsFerdinando Paër’s 1804 Leonora ossia L’Amore coniugale.
If you were in New York on July 7, 1975 chances are you were at the Met reveling in the visiting Bolshoi Opera’s Eugene Onegin.
This Sunday marks the 10th anniversary of the death of Lorraine Hunt Lieberson from breast cancer.
Trove Thursday” presents Béatrice et Bénédict in a 2009 performance featuring Joyce DiDonato and Charles Workman and conducted by Sir Colin Davis.
An extraordinarily rich variety of opera happens locally, under the umbrella of New York Opera Fest.
Genia Kühmeier, Christian Gerhaher and Phyllis Bryn-Julson performing works by Richard Strauss, Mahler and Berg.
I realized I hadn’t yet posted anything featuring one of the “Queens of the Bootlegs,” so I now correcting that with Puccini’s La Fanciulla del West starring the great Magda Olivero as Minnie.
LoftOpera offered an unusually satisfying, immensely entertaining production of Rossini’s scintillating portrait of an inveterate seducer.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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