December 2005
All right, class. Take a careful look at the costume sketch below. It’s for a major character in a standard repertory opera. (In other words, nobody is doing Natoma.) Look carefully at the sketch, and when you think you know who the character is, scroll down to find out the answer. Think you know who…
By La Cieca
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“She had awakened desire in him, and he had once approached the house of Thais. But he stopped on the threshold of the courtesan’s house, partly restrained by the natural timidity of extreme youth– he was then but fifteen years old– and partly by the fear of being refused on account of his want of…
By La Cieca
Peter Gelb‘s new broom continues to sweep at the Met. Perhaps to make room for the Gheorghiu/Netrebko/Damrau generation, the incoming General Manager is buying out contracts. Two Met artists in particular are targeted, and, oddly enough, these two ladies have quite a bit in common. Both are 40-something light lyric sopranos, and they have three…
By La Cieca
Too late, I’m afraid, for a holiday gift, but what looks to be the must-have CD of the season has just become available. It’s a “new” Elektra, — actually a release of a live 1990 performance with the Valhalla-level pairing of Dame Gwyneth Jones and Leonie Rysanek as daughter and mother. (This is of course…
By La Cieca
Did you know that you (yes, you) can advertise on parterre.com?
By La Cieca
Well, it’s that time of year, isn’t it? La Cieca is full to overflowing with the holiday spirit, so full of it, in fact, that she’s going to speak her mind, just as if this were a company party. There are some out there who have forgotten the true meaning of this time of year,…
By La Cieca
Sometimes La Cieca can just lie back and let Tony and the Times do all the work.
By La Cieca
The upscale art book for opera lovers this holiday season is George Tsypin Opera Factory: Building in the Black Void (Princeton University Press). Tsypin is designer of choice to directors Julie Taymor, Peter Sellars and Francesca Zambello; his most familiar work to New Yorkers is perhaps his Met Zauberfloete in collaboration with Ms. Taymor. The…
By La Cieca
Rolando Villazon not apparently in his very best form but La Cieca is very impressed with a) his willingness to sing out and take chances even when he is less than 100% and b) his well-supported legato that is the basis of even his most vehement singing. Anna Netrebko found a way to interpret Gilda…
By La Cieca
The hallmark of Camp is the spirit of extravagance. Camp taste turns its back on the good-bad axis of ordinary aesthetic judgment. Camp doesn’t reverse things. It doesn’t argue that the good is bad, or the bad is good. What it does is to offer for art (and life) a different — a supplementary —…
By La Cieca
(1) Alessandra Marc is the soprano who was inspired by Leontyne Price‘s “Zweite Brautnacht.” (2) David Daniels’ favorite soap is “The Guiding Light.” (3) Evelyn Lear sang “The Boy from Ipanema.”
By La Cieca
La Cieca thanks the record number of listeners who have downloaded the “Unnatural Acts Gala” already. Two of the prizes have been awarded to sharp-eared fans, but two DVDs remain to be awarded. Everyone so far has got the first two questions correct, but the third seems to be the sticking point. La Cieca will…
By La Cieca
Here it is, cher public: the Unnatural Acts Gala and Quiz. To listen, just click on the arrow button. (Make sure your speaker volume is turned up, and allow 10 – 15 seconds for the show to start playing.) Listen to the Gala and Quiz! You can also download the mp3 at this direct link.…
By La Cieca
Twelve years — a quarter of my life! That’s how long I’ve been La Cieca, or, more accurately, that’s how long parterre box has been a part of my life. The lady over there on the right is the reason this all began: Maria Callas, for whose 70th birthday (December 3, 1993) I though it…
By La Cieca
