September 2005
Comments, requests, complaints… or other reactions to the Tristan podcasts? And for those of you listening “at home” (as opposed to on the Ipod), here’s a wonderful resource: a complete libretto of the opera with hypertext leading to an English translation and illustrations of the Leitmotiven.
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First he lost his Grand Tier, then his Floral Hall, and now, it appears, beleaguered benefactor Alberto W. “Albert” Vilar is about to lose his UN Plaza duplex. The newly-listed apartment boasts 20 rooms, including 6 bedrooms, 10 full bathrooms, 3 powder rooms, a sun-drenched eat-in kitchen, and sweeping views of the East River, the…
“As I have never in life felt the real bliss of love, I must erect a monument to the most beautiful of all my dreams, in which, from beginning to end, that love shall thoroughly satiated. I have in my head ‘Tristan and Isolde,’ the simplest, but most full-blooded musical conception. With the black flag…
Rodgers and Hammerstein is as far as Aprile Millo is willing to cross over at Carnegie Hall, and that’s what led to the rift between her and promoter Ron Delsener — and to the cancellation of the October 14 event. La Millo tells her side of the story: NYT.
Sister Sieglinde summarizes the roiling controversy so far in her Diary, and the most recent whisper La Cieca has heard is, “if that rock promoter wanted Avril Lavigne, he should have hired Avril Lavigne; Aprile is an opera singer.” Among the rumors La Cieca doesn’t believe: Millo is afraid to sing high notes. [Duh, she…
La Cieca just heard this on opera-l just now, and checked the Ron Delsener Presents web site, which states, yes, “this show has been canceled.” No idea why, but La Cieca will ask around. Update: a source close to the Delsener organization has told La Cieca that the promoter and the artist had “artistic differences,”…
Starting tonight on “Unnatural Acts of Opera,” something of a departure, in more ways that one. To begin with, it’s La Cieca’s first snippet show, featuring individual scenes and arias instead of the more familiar whole acts. The other strange part about this show is that it features the type of singer La Cieca doesn’t…
“Tell me, Roberto, does this costume make my manly butt look big?” Speaking of which, has Anthony Tommasini started writing under an assumed name?
A close reading of Paul Kellogg‘s announcement of his resignation from the NYCO suggests to La Cieca that there’s some kind of major bad news that’s being kept secret here. I’m thinking that maybe it’s yet another setback in building that new opera house. To be perfectly frank, La Cieca has come to the conclusion…
Which mega-manager went on a quest to fleece other agents of the most glittering stars on their rosters, but managed to sign only one medium-major name — a soprano whose star vehicle at a swanky summer festival was almost immediately scuttled in favor of a Gilbert and Sullivan revival? (A pity this soprano’s repertoire doesn’t…
Maria Guleghina‘s first Vespri Elena. Hurricane Katrina. You write your own joke. From Playbillarts.
It certainly is not news that lesbians are pretty handy around the opera house, whether it’s singing Octavian or running the light board. But the English National Opera is hoping that the promise of hot girl-on-girl action will give their box office a woody. The company is advertising their production of a new work called…
La Cieca is delighted to announce that our editor JJ is directing yet once again, this time a production of Die Fledermaus for the [working title] opera. The single gala performance of the Johann Strauss II operetta is scheduled for September 18, 2005 at The Ballroom at the Century Center Theatre, 111 E. 15th Street…
It appears that La Cieca’s concerns about the suitability of Maria Guleghina for I vespri siciliani are shared by certain members of the Washington Opera administration. An insider whispers that MG’s (infrequent) vocalizing at rehearsals has been “horrific,” and members of the company are just waiting for the axe to fall. Expect Domingo to protest…
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