Fairy tales often have a dark subtext, and this production’s themes of child abuse and child imprisonment were hard to watch but always thought-provoking. I love the transformation of the often paternal Water Gnome into a cynical, monstrous rapist. This video also highlights Kristine Opolais in her rather brief vocal prime.
I’m still thinking about Martin Kusej’s Rusalka
The production is based on the Elisabeth Fritzl story, and it really made me reconsider this opera’s fairy tale storyline.
parterre in your box?
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