"Gabriela Lena Frank's score for Frida y Diego was nothing short of extraordinary, at times recalling Béla Bartók (in her treatment for climaxes) or Giacomo Puccini (in her handling of choruses), but the musical idioms were certainly her own. I particularly mesmerized by many instrumental solos peppered throughout the score (most particularly the bassoon and violin solos), and Frank used such device to define the characters, almost in a way of leitmotif."
parterre box is launching a new themed regular feature curated by our readers and opera fans across the world! We are asking for your favorite clips, recordings, and anecdotes to get people chatting, listening, and thinking.
parterre box is launching a new themed regular feature curated by our readers and opera fans across the world! We are asking for your favorite clips, recordings, and anecdotes to get people chatting, listening, and thinking.
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