Opera from a certain point of view. The best opera magazine on the web. Reviews, breaking news, critical essays, and brainrot commentary on opera from those demented enough to love it.
From 1994, the legendary Jessye Norman portrays an evening of operatic heroines, with pioneering conductor Dame Jane Glover and the Orchestra of St. Luke’s.
Jessye Norman, soprano
Dame Jane Glover Orchestra of St. Luke’s
April 27, 1994
Haydn:Scena di Berenice Purcell: “Dido’s Lament” from Dido and Aeneas Tchaikovsky: “Adieu, forêts” from The Maid of Orleans Barber: “Give me some music” from Antony and Cleopatra — Offenbach: “O mon cher amant” from La Périchole Strauss: Interlude and Final scene from Capriccio Saint-Saëns: “Mon cœur s’ouvre à ta voix” from Samson et Dalila Bizet: “Seguidilla” from Carmen
La Cieca
James Jorden (who wrote under the names "La Cieca" and "Our Own JJ") was the founder and editor of parterre box. During his 20 year career as an opera critic he wrote for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He also raised his voice in punditry on National Public Radio. From time to time he directed opera, including three unsuccessful productions of Don Giovanni. He also contributed a regular column on opera for the New York Observer. James died in October 2023.
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.