Opera from a certain point of view. The best opera magazine on the web. Reviews, breaking news, critical essays, and brainrot commentary on opera from those demented enough to love it.
The first part of a discussion with Ms. Baumgartner. (A second part, with a better internet connection, will follow soon.)
Christian Ocier
Christian Ocier emerged fully formed one eros-filled evening from the nocturnal thrum of Tristan und Isolde’s Liebesnacht. During the Tag half of his life’s equation, he doubles as a pâtissier and a nanophotonic materials science Ph.D. student, a degree which he will soon complete at the University of Illinois at Urbana-Champaign. Christian’s serious love for opera was sparked during his mid-teens after listening to Carlo Maria Giulini’s 5-Act Don Carlo. Eventually, his tastes gravitated to the dramas of Wagner, Strauss, Bartok, Janacek and Berg. To him few things make Nacht more transcendent than great performances of Tristan, Die Frau Ohne Schatten or Lulu—the trifecta of operas he adores the most. His tortes, entremets, and entrées honoring great musicians include La Stemme Divine (Nina Stemme), Le Grande Lise (Lise Davidsen), and Ravioli all’Ambrogio Maestri.
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.