Tenor/Sunnysider Jonathan Blalock, recent creator of the title role in Mark Adamo‘s Becoming Santa Claus at Dallas Opera, discusses the “deep spiritual raptures triggered by the religious music of his church” and how “as an adult, he finally gave himself permission to explore music without the religious accompaniment” on the essential podcast The Sewers of Paris. (Photo: Matt Madison-Clark)
The elf on the self
Tenor/Sunnysider Jonathan Blalock, recent creator of the title role in Mark Adamo‘s Becoming Santa Claus at Dallas Opera, guests on the essential podcast The Sewers of Paris.
By La Cieca La Cieca
James Jorden (who wrote under the names "La Cieca" and "Our Own JJ") was the founder and editor of parterre box. During his 20 year career as an opera critic he wrote for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He also raised his voice in punditry on National Public Radio. From time to time he directed opera, including three unsuccessful productions of Don Giovanni. He also contributed a regular column on opera for the New York Observer. James died in October 2023.
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Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
