The results are in for the 2015 fall season poll, and now La Cieca (not pictured) will know where to find the cher public, including some rather out-of-the-way places. The list of offerings and the number of votes for each follow the jump.  

New productions at the Met:

  • Lulu: 206
  • Otello: 140
  • Les Pêcheurs de Perles: 91
  • Other (including Elektra, Manon Lescaut Roberto Devereux and Roberto Devereaux) : 31

Revivals at the Met:

  • Tannhäuser: 164
  • Anna Bolena: 145
  • Il Trovatore: 139
  • Turandot: 87
  • La Donna del Lago: 20
  • Tosca: 11
  • Rigoletto: 10
  • Other (including “None is a must. All are deeply flawed”): 10
  • La Bohème: 9
  • The Barber of Seville: 3
  • Die Fledermaus: 3

More opera in Manhattan:

  • Elektra (BSO): 198
  • Theodora: 60
  • Bonfire of the Vanities: 25
  • The Travel Agency Is on Fire: 3
  • Other (including Charlie Parker’s Yardbird, Giovanna d’Arco and The Rape of Lucretia): 3

Opera in the boroughs

  • Verdi (LoftOpera): 76
  • Goyescas: 50
  • YOU US WE ALL: 6
  • This Takes Place Close: 3
  • Refuse the Hour: 3
  • Other (including Sarasota La Boheme and Hagoromo): 3
  • Collapse: 2

Vocal events

  • Richard Tucker Opera Gala: 77
  • Diana Damrau: 66
  • Christian Gerhaher: 55
  • Piotr Beczala: 52
  • Mark Padmore: 42
  • Christine Brewer: 42
  • Hibla Gerzmava: 18
  • Licia Albanese Foundation Gala: 12
  • Tara Erraught: 11
  • Isabel Leonard: 10
  • Emma Kirkby: 6
  • Other (including “Franco Corelli”): 6

Photo: Kristian Schuller

La Cieca

James Jorden (who wrote under the names "La Cieca" and "Our Own JJ") was the founder and editor of parterre box. During his 20 year career as an opera critic he wrote for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He also raised his voice in punditry on National Public Radio. From time to time he directed opera, including three unsuccessful productions of Don Giovanni. He also contributed a regular column on opera for the New York Observer. James died in October 2023.

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