Opera from a certain point of view. The best opera magazine on the web. Reviews, breaking news, critical essays, and brainrot commentary on opera from those demented enough to love it.
Ever on the avant-garde, Lyric Opera of Chicago has embraced the cutting-edge technology of “phonography” as part of their effort to attract young audiences.
Ever on the avant-garde, Lyric Opera of Chicago has embraced the cutting-edge technology of “phonography” as part of their effort to attract young audiences: “The Magic Victrola is a brand-new presentation created for families with children ages 5-10…. While playing in their grandparents’ attic, two children discover a mysterious trunk filled with costumes, props, opera albums, and a beautiful vintage record player. What happens when they start to listen to the music? Scenes from beloved operas—including Mozart’s The Magic Flute and Bizet’s Carmen—magically come to life!”
As we all know, if there’s anything that fascinates today’s generation of tech-savvy kids, it’s analog sound recording on shellac discs. And what more romantic locale to associate with opera than an inaccessible, dusty room where that bad man touched you that one time?
La Cieca
James Jorden (who wrote under the names "La Cieca" and "Our Own JJ") was the founder and editor of parterre box. During his 20 year career as an opera critic he wrote for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He also raised his voice in punditry on National Public Radio. From time to time he directed opera, including three unsuccessful productions of Don Giovanni. He also contributed a regular column on opera for the New York Observer. James died in October 2023.
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.