Canard season

La Cieca has her old, old, old friend Enzo Bordello (pictured, left) to thank for this week’s canard, or rather, carnards, as Enzo has delivered a delicious brace of blunders.

La Cieca has her old, old, old friend Enzo Bordello (pictured, left) to thank for this week’s canard, or rather, carnards, as Enzo has delivered a delicious brace of blunders.

First misconception: “Violetta’s joyful cabaletta ‘Sempre libera’.” There is nothing joyous about what she is expressing. It is a death wish to annihilate herself through hard living. The manic character of the music is ironic, not literal.

httpvh://www.youtube.com/watch?v=thNGULU4OK4

And canard the second: Cio-Cio-San kills herself “because of a broken heart” or as an act of manipulation to make Pinkerton feel bad. No, she kills herself as an act of self-effacement to eradicate any trace of her son’s ties to Japan, so that he can acculturate neatly and easily into his new life in America, freed of the stigma of being viewed as a biracial bastard. And the usual reply to this is: “Well, how can that be? He must look Asian.” Well, no. Puccini and his librettist are explicit about the boy’s blonde hair and blue eyes. Genetically improbable, perhaps, but there it is.

httpvh://www.youtube.com/watch?v=Txr5QfpW8vk

La Cieca

James Jorden (who wrote under the names "La Cieca" and "Our Own JJ") was the founder and editor of parterre box. During his 20 year career as an opera critic he wrote for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He also raised his voice in punditry on National Public Radio. From time to time he directed opera, including three unsuccessful productions of Don Giovanni. He also contributed a regular column on opera for the New York Observer. James died in October 2023.

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