Return from the Plaza

La Cieca is back in her beloved Sunnyside late this evening, even though the Metropolitan Opera opening night began at 6:30. By her watch, the performance of Madama Butterfly ran not quite four hours including intermissions and curtain call. Oddly, though, the evening didn’t seem unnaturally long — maybe because La Cieca enjoyed a disco nap prior to the performance, or maybe because her seat for this opening night was in the plaza, watching on the big screen video, or, as we have come to call it, the Plazatron.

First things first: quite unlike most free events in New York, and on the Upper West Side in particular, the crowd was mostly very well mannered, attentive and appreciative. The weather, La Cieca must say, was simply superb, with just the hint of a cool autumnal breeze. The much-ballyhooed Red Carpet was somewhat underwhelming, hidden as it was over near Damrosch Park. La Cieca did catch a glimpse of Jude Law in the flesh, looking very dapper in black tie, and on the Plazatron, she noticed our own Dawn Fatale looking very boyish indeed against a backdrop of social xrays.

About the performance proper La Cieca can’t really say anything because our own JJ will review a later performance, but she will note that the Plaza crowd was treated to an intermission feature showing director Anthony Minghella and the cast in rehearsal. Minghella talks too much, La Cieca thinks, and in the video one could sense that Marcello Giordani and Dwayne Croft were getting a bit impatient with all the chitchat. Speaking of which, Giordani looks great these days, slim and dashing in his Navy whites, and Croft has evolved into a very sexy daddy type — particularly since this production makes no effort to disguise his mostly-bald pate. You know how La Cieca goes for the tete de peau look!

As La Cieca was preparing her podcast this evening she was listening to the second Met Radio broadcast on Sirius, a 1971 Rigoletto, and she sees the ante has been upped: she’ll have to redouble her efforts to bring you the best in Unnatural Acts of Opera.