“But the part [Anna Netrebko] seems most excited about is Lady Macbeth in Verdi’s treatment of Shakespeare’s Scottish play. ‘It is coming, but not that soon,’ she said. ‘As a soprano who sings Lucia di Lammermoor, I have the high notes and the trills. No problems there. But going into the low registers is lots of work’.” [Wall Street Journal]
Adroit, awesome, autononomous Anne Midgette nominates her Top 10 Classical and Opera Releases of 2010 over at Soundcheck, and, La Cieca thinks to herself, why should Anne have all the fun? What are your favorite opera CDs and DVDs of the year, cher public? (Here are a few reviews to jog your memory.)
Martin Bernheimer, who was wise long before most of the rest of us were on solid food, writes what is likely to be remembered as the definitive essay on the Donald Rosenberg/Plain Dealer situation.
Linda Watson and John Treleaven have issued a joint not-apology, blaming “selective and biased representation of these interviews” for giving the impression that anything was less than stellar at the “fantastic history-making project” that is the LA Ring cycle. [Class Act via OperaChic]
“Why can’t a general director with the fame, charm and ability of Domingo roll up his sleeves and work to realize his vision, rather than distancing himself from the results? The answer: because he isn’t actually there, running the company. He’s conducting Stiffelio, or singing Simone Boccanegra, or trying to keep up with his other company, the Los Angeles Opera (with equally dicey results) instead.”