Headshot of La Cieca

Cher Public

  • operalover9001: Siegfried from Munich video: http://www.youtube .com/watch?v=GkisP ef77Zg&feat... 3:26 PM
  • Camille: Clita–I am listening since beginning of B.’s awakening but can’t get into chatroom or I... 3:17 PM
  • Camille: I never said that, Ma’am! Bananas are an excellent, convenient, and natural source of potassium, so... 3:12 PM
  • WindyCityOperaman: Born on this day in 1938 soprano Elizabeth Harwood httpv://www.youtub e.com/watch?v=BW48 hfg8PJ8 2:50 PM
  • louannd: Thank you La C for posting the link to Mr. Madison’s blog. A new discovery for me, and another... 2:38 PM
  • willym: well I just talked to the spouse – we looked at the programme again and decided this was a not to be... 2:18 PM
  • oedipe: Willym, I don’t know, but I am willing to give Ceci the benefit of the doubt. At any rate, this is a... 2:06 PM
  • Bill: Willym – the critics say 5 hours – apparently Bartoli sang all 8 of Cleopatra’s arias and... 1:55 PM

Cold “Case”

metropolis_caseFirst-time novelist Matthew Gallaway’s ardent love for Tristan and Isolde gushes through every page of The Metropolis Case. According to Gallaway, Tristan is the highest expression of human art, and the book functions effectively as the ultimate initiator in the cult of Wagner.

The novel opens with a lengthy discussion of the opera in the format of an email from an opera lover to a less-enlightened friend, and characters are forever discussing the opera, saying things like “You don’t ‘check out’ Tristan. You become it.”

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the day after the night

Our Own Gualtier Maldè reports:

The Met’s orchestra and audience have found a new conductor to love: Daniel Barenboim.  The debutante conductor got a huge ovation before he even lifted his baton.  Lots of applause for Danny B. all night from an adoring audience including a generous amount at his final bow.  There was lots of touchy feely with the orchestra during his travels to and from the pit.  He conducted from a chair, like Levine does, sometimes leaning back against the wooden partition of the orchestra pit and laying his head on the railing as if to bask in Wagner’s orchestral beauties.  At the end of the show the orchestra stayed in the pit and gave him a standing ovation while he blew kisses from the stage. Read more »