Cher Public

  • Camille: No, you are NOT making it up, just like Anna Russell! 11:24 PM
  • Camille: Ha! Jungfer, we get popcorn and hot dogs and sodas, at least that’s what I have observed. A shame about the loss of the... 11:21 PM
  • rompicolleone: Mille grazie per questo !! I cried. I once had the pleasure (and terror: the Dies Irae!) of playing the Verdi Requiem with... 10:01 PM
  • Jungfer Marianne Leitmetzerin: By the way, the camerawork and directing of the HD broadcast were impeccable. When the final credits... 9:49 PM
  • Jungfer Marianne Leitmetzerin: Wasn’t she just extraordinary? Not just hitting the notes, but the security and power took my breath... 9:43 PM
  • Camille: I just cannot get over how WELL; how inTUNE, and how Pankratova sings ALL the notes the Kundrys usually dodge out on! I have... 9:38 PM
  • armerjacquino: The last thirty seconds of that video have put a great big smile on my face. That’s how to do it. 8:49 PM
  • Camille: Vielen Dank, Jungferissima! We are taking a break from all that blabberblah at the DNC with Zweiter Akt of Parsifal for the... 8:44 PM

Schrödinger’s cat fancy

“So is opera as vibrant as ever, or is it hanging on by a thread? How to write the history of an art form that hovers, Schrödinger’s catlike, simultaneously alive and dead?” As we awaken from our holiday nap, what better reading to curl up with than a review by Zachary Woolfe (not pictured) of the new study A History of Opera?