Headshot of La Cieca

Cher Public

  • Clita del Toro: I watched about half of The Requiem as I didn’t know it was on. I did enjoy it. 12:04 AM
  • 98rsd: Am I missing some key fact? Is there a reason an orchestra member SHOULD be paid more “than,... 12:00 AM
  • steveac10: Who said anything about outsourcing? I said there are innumerable qualified applicants for that... 11:56 PM
  • Constantine A. Papas: To change the subject: did anyone watch Verdi’s Requiem with LA Philharmonic on... 11:56 PM
  • steveac10: I said nothing about glamour. I also think you are underestimating the pool of talent that would... 11:48 PM
  • ianw2: I hadn’t responded as I haven’t read the 2012 book- I’m drawing on what I know... 11:40 PM
  • DellaCasaFan: It sounds from his subsequent response to ianw2 that the quality-adjusted productivity was not... 11:35 PM
  • ianw2: I should’ve added ‘public̵ 7; to the description of ‘cheerleader ’.... 11:23 PM
  • ianw2: Since you brought it up, the HDs could be argued as a way of increasing productivity with a fixed... 11:22 PM
  • La Cieca: i love the assumption, for example, that members of the met orchestra really don’t deserve to be... 10:56 PM

Schrödinger’s cat fancy

“So is opera as vibrant as ever, or is it hanging on by a thread? How to write the history of an art form that hovers, Schrödinger’s catlike, simultaneously alive and dead?” As we awaken from our holiday nap, what better reading to curl up with than a review by Zachary Woolfe (not pictured) of the new study A History of Opera?