Headshot of La Cieca

Cher Public

  • ipomoea: Thank you, Sci and Camille, You are always so helpful and informative. Although I have not heard Lee... 6:04 AM
  • spiderman: “The Tosca got booed” … you take this as the first and most of all facts, why do... 3:47 AM
  • Krunoslav: Nadja’s best option at this point? JOSEPHSLEGENDE. 2:15 AM
  • Lohengrin: The points for her decicion, to do Aida in London cond be “the conductor and the... 1:26 AM
  • Buster: 2019 – and she wll be just in it, it is not composed for her, I see. More details, including a... 12:55 AM
  • Buster: Nadja returns to the Met in an opera composed especially for her by Osvaldo Golijov. 12:50 AM
  • Camille: Hi, scifisci—lon g time no see. Yes, I corroborate with you about Lee, as I saw his second or... 11:14 PM
  • scifisci: Kaufmann is a special artist but I would not be that disappointed that Lee is filling in or that... 10:44 PM
  • Camille: Feldmarschie, hahahahaha! I just now saw your reference to Jackie O! I am sorry to disappoint your... 9:49 PM
  • Lady Abbado: Finally a glimpse into Angela Gheorghiu’s take on the role of Charlotte: http://staatsop... 9:37 PM

Schrödinger’s cat fancy

“So is opera as vibrant as ever, or is it hanging on by a thread? How to write the history of an art form that hovers, Schrödinger’s catlike, simultaneously alive and dead?” As we awaken from our holiday nap, what better reading to curl up with than a review by Zachary Woolfe (not pictured) of the new study A History of Opera?