Headshot of La Cieca

Cher Public

  • armerjacquino: PS- it’s a 1992 release of a 1968 performance. 6:29 AM
  • armerjacquino: I knew about the YT. To be honest, now that I have a MacBook Air without a disc drive, YT is... 6:27 AM
  • armerjacquino: Well, these categories are notoriously fluid, but surely the TROV Leonora is a dramatic... 6:09 AM
  • hailui: Dorothea Röschmann also has a lovely recording of the Pergolesi’ “Stabat Mater”. I... 6:05 AM
  • NPW-Paris: I’ve published a write-up, but it was tough going and the result is nothing special, though... 5:22 AM
  • Arabella: Try here? http://www.operapa ssion.com/cdpestma ab19.html 4:14 AM
  • m. croche: Nice to be reminded that critics for the German dailies can be just as goofy as their... 3:56 AM
  • Feldmarschallin: http://www.nzz.ch/ feuilleton/buehne/ ein-rosenkavalier- ohne-lebenstiefe-1 .18512522 3:41 AM
  • Feldmarschallin: http://www.sueddeu tsche.de/kultur/dr ei-festpremieren-v om-wochenende-bunt es-opernosterf... 2:01 AM
  • parpignol: that would be Faustina, one of the great felines of British literature. . . 12:43 AM

Schrödinger’s cat fancy

“So is opera as vibrant as ever, or is it hanging on by a thread? How to write the history of an art form that hovers, Schrödinger’s catlike, simultaneously alive and dead?” As we awaken from our holiday nap, what better reading to curl up with than a review by Zachary Woolfe (not pictured) of the new study A History of Opera?