Cher Public

  • pirelli: That stage didn’t need to be raked, it needed to be bulldozed. 10:19 PM
  • DeepSouthSenior: For the ultimate in multipurpose use of a raked stage, how about the slalom races on The Machine in the Lepage Ring? 10:14 PM
  • pirelli: “Should [Levine] have read something into the the on-stage projections of the Chereau production? Klytemnestra would... 10:13 PM
  • pirelli: But in the case of Satyagraha, the titles were sporadic – just hints of some of the text, not a complete set of titles as... 10:05 PM
  • Satisfied: House of the Dead, Lulu. 9:58 PM
  • Satisfied: Sat dead center at the prima and had no such issue. Also, the production design (which, at this point, is no longer just Aix) I... 9:54 PM
  • La Cieca: Two Boys, Prince Igor, Werther, Nozze di Figaro, Death of Klinghoffer, La donna del lago, Lulu, Manon Lescaut all have rakes. 9:50 PM
  • DeepSouthSenior: The stage in Acts I and III of François Girard’s Parsifal at the Met from 2013 was “raked,̶ 1; sort of. At... 8:36 PM

Closet drama

“I have a confession to make about Britten’s opera Billy Budd: I don’t like it very much. I struggle with its listless pace; its largely flat characters; the way its libretto, by E. M. Forster and Eric Crozier, prefers telling us what people are thinking rather than showing it.” That’s your London correspondent Zachary Woolfe in the New York Times.