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Cher Public

  • Poison Ivy: And I ask this because when I saw the POB (they came to NYC two years ago) the casting was... 7:58 PM
  • Poison Ivy: While we’re at it does the POB attract a similar young crowd? Or does ballet/dance attract... 7:54 PM
  • oedipe: BTW, the ONP has just published its 2013 accounts. It seems that the average age of the audience last... 7:47 PM
  • steveac10: Unless you’re a once in a generatio artist, is it really possible to get more than a golf... 7:39 PM
  • oedipe: Not the prettiest high notes, but they were there and well projected. Unfortunately, she didn’t... 7:37 PM
  • fletcher: Thanks for the info, oedipe. As for the audience being young, I think you’re right to credit... 7:35 PM
  • -Ed.: See? Better to wear an emerald necklace, like I do. Emeralds do not countenance vulgar clutching. At... 7:31 PM
  • Poison Ivy: How was Urmana’s top in Isolde? Last time I heard her she definitely had problematic high... 7:22 PM
  • Clita del Toro: I heard only parts of Puritani last night: additionally, the clip from the Met and several... 7:17 PM
  • Flora del Rio Grande: jacquino: I always make a point to review Ms. Racette’s bosom when I cover her... 7:04 PM

Closet drama

“I have a confession to make about Britten’s opera Billy Budd: I don’t like it very much. I struggle with its listless pace; its largely flat characters; the way its libretto, by E. M. Forster and Eric Crozier, prefers telling us what people are thinking rather than showing it.” That’s your London correspondent Zachary Woolfe in the New York Times.