Headshot of La Cieca

Cher Public

  • Lady Abbado: Finally a glimpse into Angela Gheorghiu’s take on the role of Charlotte: http://staatsop... 9:37 PM
  • Camille: I thought she was pretty good as the Jaroslavna as well, and we had been warned by œdipe about the... 9:36 PM
  • Camille: I haven’t forgotten her at all because she is my favourite, by a landslide, because she could... 9:31 PM
  • Resistopiu: Well you all seem to forget Latonia Moore who was the best Aida I have seen since Price 9:10 PM
  • Resistopiu: Actually Armer her last London performance was in Don Carlos, the first night which I was very... 9:03 PM
  • ipomoea: Thank you, Satisfied, Lee is not what I planned or paid for last July. With a local “provinc... 8:30 PM
  • Jungfer Marianne Leitmetzerin: Satisfied: Jean-Francois Borras replaced Kaufmann as Werther at the Met, and... 7:43 PM
  • RosinaLeckermaul: Jean-Francois Borras. Too bad folks aren’t giving Lee a chance. He’s very good. 7:42 PM
  • Satisfied: Sorry last bit to add: I’ve never tried day of change. If anyone is trying to change their... 7:35 PM
  • Satisfied: As was I! I was quite satisfied with his replacement…whose name escapes me. Manou? 7:33 PM

Closet drama

“I have a confession to make about Britten’s opera Billy Budd: I don’t like it very much. I struggle with its listless pace; its largely flat characters; the way its libretto, by E. M. Forster and Eric Crozier, prefers telling us what people are thinking rather than showing it.” That’s your London correspondent Zachary Woolfe in the New York Times.