Headshot of La Cieca

Cher Public

  • armerjacquino: Bloody hell, you’re really clutching at straws if you have to dredge up the Express.... 8:04 AM
  • Krunoslav: I don’t think having Troyanos’ more beautiful voice and style on record for Solti... 6:43 AM
  • Krunoslav: Not a patch on Our Own ‘ideally suited’ diva, no nonsense about her! http://www.expr... 6:40 AM
  • PushedUpMezzo: Well – if this has spurred your enthusiasm, there are a few places left on this holiday... 4:55 AM
  • moi: I guess we don’t have to worry about that…. I just read, that she’ll be singing... 3:49 AM
  • LT: Her first aria was sung quite well too. Certainly better than that dependable workhorse of today. 2:36 AM
  • Buster: Thanks – her intensity here reminded me of Frida Leider, love her. A lot of Symposium̵... 12:59 AM
  • Buster: Moi: the next Hamburg Fanciulla will be Barbara Haveman. 12:52 AM
  • Vergin Vezzosa: @parpignol – I find your comments about La Rad very interesting as I have had much the... 12:22 AM
  • Sempre liberal: I must admit, the Robert Greenberg Great Courses talks can help pass the time. The Verdi... 11:37 PM

Closet drama

“I have a confession to make about Britten’s opera Billy Budd: I don’t like it very much. I struggle with its listless pace; its largely flat characters; the way its libretto, by E. M. Forster and Eric Crozier, prefers telling us what people are thinking rather than showing it.” That’s your London correspondent Zachary Woolfe in the New York Times.