Cher Public

  • Camille: O! What eagle eyes you have to have swooped down on that one, MastroKruno! NO, am not referring to “Cruising 221;,... 4:06 PM
  • Camille: If there is anyone still considering going upstate to see this Iris, may I offer these two suggestions: listen first to the... 3:39 PM
  • Krunoslav: ” In fact, Mr McKinney’s singing; of which I’ve just heard the fist act” Oh, is it THAT kind of production? Any... 3:12 PM
  • Camille: Jungfer Because a girl’s duenna comes first, I am disobeying the edict to be die schweigsame Frau: (Monsieur Camille is... 2:06 PM
  • Camille: I read a part of TT’s book report summary and do not recall him even mentioning the excellent Kundry. In fact, Mr... 1:58 PM
  • Camille: Bluecabachon– ;I left and then you came in and now you left? So I’m leaving as there is nothing to talk about this... 1:45 PM
  • PCally: The Karajan has Rysanek and Ludwig. Nilsson didn’t add the opera to her rep until the mid-1970s, by which time... 1:11 PM
  • Camille: Following the 1841 Schott republished score of Der Fliegende Holländer, which was the author’s original libretto and which... 1:09 PM

Closet drama

“I have a confession to make about Britten’s opera Billy Budd: I don’t like it very much. I struggle with its listless pace; its largely flat characters; the way its libretto, by E. M. Forster and Eric Crozier, prefers telling us what people are thinking rather than showing it.” That’s your London correspondent Zachary Woolfe in the New York Times.