Headshot of La Cieca

Cher Public

  • orlando: Pretty sure she was in that Philips Giorno di Regno as well. 11:04 AM
  • Cicciabella: Sketches for the Meese Parsifall that almost was: http://tinyurl.com /meeseparsifal. 10:48 AM
  • Chanterelle: @NPW-Paris That’s pretty remarkable! Then you notice the way the patrons are dressed, and... 10:28 AM
  • perfidia: I have been thinking, after hearing Peters’ recording of Zerbinetta, that she was probably... 9:46 AM
  • Krunoslav: I had indeed forgotten- quite awful, with Hvorostovsky– ; was it his first studio set?–... 9:43 AM
  • Buster: The piano version, in this case, works well – more intimate, more exposed: httpv://www.you... 9:35 AM
  • Gualtier M: Just a note here: Metropolitan Opera accumulated a $22 million dollar deficit last year,... 9:35 AM
  • kennedet: I hope not, Salome. Is she trying to reinvent herself or just having fun? If it’s the... 9:20 AM
  • Buster: There is a also a Jessye Cavalleria Rusticana – best forgotten. 9:08 AM
  • Often admonished: She sang both soprano and mezzo parts for Abbado. At two separate performances, fortunately. 8:41 AM

Closet drama

“I have a confession to make about Britten’s opera Billy Budd: I don’t like it very much. I struggle with its listless pace; its largely flat characters; the way its libretto, by E. M. Forster and Eric Crozier, prefers telling us what people are thinking rather than showing it.” That’s your London correspondent Zachary Woolfe in the New York Times.