Headshot of La Cieca

Cher Public

  • oedipe: even DG should be A REAL MAN, also Faust and even Werther. Some like boys, orthers prefere men, thats... 2:47 PM
  • Cicciabella: Lohengrin, Alagna is all man. Ask Angie. Or rather, don’t, not any more. 2:40 PM
  • olliedawg: Eric Cantor’s looking for a job. 2:39 PM
  • olliedawg: hahahaha…LaC , you wicked thing…don 217;t make me laugh while I’m drinking... 2:37 PM
  • Henry Holland: Let’s say Peter Gelb is cast in to a lake of operatic fire and the job at the... 2:35 PM
  • La Cieca: Gordon added, “This is worse than Hitler times AIDS raised to the power of 9/11.” 2:32 PM
  • Lohengrin: Oh that gremlins: “night” ; of course; and “others̶ 1;; sorry 2:31 PM
  • olliedawg: Should have read: “Gordon̵ 7;s memo…words fail…(hard to believe)” 2:30 PM
  • olliedawg: Gordon’s memo… (hard to believe). 2:29 PM
  • Lohengrin: Yes; he got up in the hight when one of his children cried and stumbled…. “Kaufmann is... 2:28 PM

Glass, Gandhi, Occupy: Action

As suggested in Part I of this piece, to experience Glass’s Satyagraha as a purely aesthetic experience is unfortunately to succumb to a romantic ideology promoting detached reflection on art which is wholly inapplicable to such a politically-charged opera. The idea that Gandhi’s action-oriented philosophy would be packaged and sold for the sake of passive introspection would have bothered him deeply. Read more »

Glass, Gandhi, Occupy: Performance

That Philip Glass’s opera about Gandhi’s nonviolent civil disobedience should be revived by the Metropolitan Opera in 2011—a year marked by nonviolent revolutions and uprisings around the globe—is timely, to say the least. The most recent production of his Satyagraha (1979) was first premiered by the Met in the spring of 2008 as America stood on the precipice of the most devastating economic crisis in three-quarters of a century. Read more »

Truth, force

Critic Ann Binlot draws some perhaps rather obvious parallels between Satyagraha and the Occupy Wall Street movement in a brief feature on ARTINFO.