Headshot of La Cieca

Cher Public

  • Olivero is my Drug of Choice: httpv://youtu.be/t M0SVA3b0XE 4:48 AM
  • La marquise de Merteuil: I also wish to add: - I think it was Stendhal (?) who termed Pasta and Malibran... 4:08 AM
  • ML: I’m not sure Hvoro’s comments were eccentric. I’m not sure, either, why Bluevicks... 2:56 AM
  • Buster: And she portrays Agathe as a real person instead of an angelical zombie. That must have come from... 2:40 AM
  • Buster: Charlotte Margiono in the Konwitschny Freischütz. Never saw that before! Love it when an Agathe sings... 2:06 AM
  • steveac10: And if they’re right somebody needs to alert the likes of Farrar, Jeritza, Kirsten, Moffo... 12:52 AM
  • Poison Ivy: Well … then buy cheaper seats. Just sayin’. 11:47 PM
  • Flora del Rio Grande: Rant? I don’t think so. But thanks, Kashie. Laddie — for anything, even... 10:29 PM
  • Jungfer Marianne Leitmetzerin: Maybe we WERE all there! I had been on vacation in Provincetown and we flew... 9:44 PM
  • operaassport: That could probably be arranged :) 9:24 PM

Glass, Gandhi, Occupy: Action

As suggested in Part I of this piece, to experience Glass’s Satyagraha as a purely aesthetic experience is unfortunately to succumb to a romantic ideology promoting detached reflection on art which is wholly inapplicable to such a politically-charged opera. The idea that Gandhi’s action-oriented philosophy would be packaged and sold for the sake of passive introspection would have bothered him deeply. Read more »

Glass, Gandhi, Occupy: Performance

That Philip Glass’s opera about Gandhi’s nonviolent civil disobedience should be revived by the Metropolitan Opera in 2011—a year marked by nonviolent revolutions and uprisings around the globe—is timely, to say the least. The most recent production of his Satyagraha (1979) was first premiered by the Met in the spring of 2008 as America stood on the precipice of the most devastating economic crisis in three-quarters of a century. Read more »

Truth, force

Critic Ann Binlot draws some perhaps rather obvious parallels between Satyagraha and the Occupy Wall Street movement in a brief feature on ARTINFO.