Cher Public

  • NPW-Paris: Exactly where I’ll hear Sweeney Todd this Sunday. 7:24 PM
  • NPW-Paris: I heard it in a hot tent in Brussels with noisy ventilators and jet planes overhead, on their way to land. 7:01 PM
  • Operngasse: I first saw Much Ado in the Joseph Papp 1972 production with Sam Waterston and Kathleen Widows. Updated to early 20th century... 6:55 PM
  • NPW-Paris: Ayayay… grateful. 6:34 PM
  • NPW-Paris: I heard him in Rigoletto in Paris and agree with you: I was greatful for his generosity and risk-taking. 6:32 PM
  • quibbleglib: I’ve only seen him live once — in the Met Boheme — but in my experience, Fabiano is praised here because... 6:30 PM
  • NPW-Paris: Some people may be tempted to quote Dr Johnson: “Sir, a woman’s preaching is like a dog’s walking on his hind... 6:22 PM
  • kashania: Agree completely re: Camarena, Florez, Bellini and Rossini. 6:22 PM

Even smiling makes my face ache

Call it brio, joie de vivre, zest, élan vital, perhaps Lebenslust. You might even call it “fun.” But no matter what you call it, that’s not the mood Renée Fleming was in when she dropped in for lunch with Muse at Bloomberg.

Evil mutants

“Lyric Opera of Chicago announced today that the respected stage, film and television actor Patrick Stewart will co-host The Second City Guide to the Opera on Saturday, January 5 with internationally renowned soprano and Lyric Opera creative consultant Renée Fleming…. Fleming will perform with live musical accompaniment, and both she and Stewart [pictured] will share emcee duties and appear in satirical vignettes.” [Broadway World]