Headshot of La Cieca

Cher Public

  • manou: Toscanini ed “passatoR 21; non hanno bisogno di lettere in più. 5:52 PM
  • kashania: Well, that feistiness carries through the third act. My throat hurts! She’s very exciting but... 5:28 PM
  • ML: Yes, and that’s the best line in the whole damn libretto! 5:20 PM
  • ML: Just out of curiosity, does anyone know how Jane Eaglen in her EMI recording handles the role, and... 5:12 PM
  • mercadante: I heard that Liu in Philadelphia and thought it quite excellent also. 5:09 PM
  • Archaeopteryx: And La Grubsi’s leg injuries seem to be forgotten. She excelled in July in Zurich as... 5:06 PM
  • Archaeopteryx: Gruberova does Casta Diva in G normally, since she started to sing the role she didn’t... 5:04 PM
  • kashania: ML: You’re welcome. I just listened to all of act two. She’s particularly feisty... 5:01 PM
  • ML: Many thanks. 4:59 PM
  • operaassport: Was he trying to look like an exile from a John Carpenter film? 4:45 PM

A hymn to heme

That 60 Minutes piece everyone’s been talking about, with Peter Gelb describing opera as “blood sport,” after the jump. Read more »

The revolution will be televised

Ah, finally a light begins to break: “60 Minutes is filming a long-planned segment on the Met, with the new production of Rigoletto providing a through line…. When [Michael] Mayer sprints down the aisles onto the stage to tweak a bit of business, he is trailed not just by a couple of staff directors with notebooks but often by a cameraman or two. A Japanese film crew has also been tailing him for its own documentary.” [New York Times]

More deceit and intrigue from LOC

La Cieca assumes that it was while changing frocks from citron to sage that America’s Multitasker Renée Fleming approved the above-pictured outdoor advertising for LOC’s impending season. Because, after all, what celebrity screams “Lyric Opera of Chicago” more obviously than Vanessa Williams? (Thanks to AC for the photo!)