Cher Public

  • Bill: Kennedet – from more recent videos of Nebrebko doing various arias, it seems her voice is not quite as steady as it used to... 11:47 PM
  • Magpie: Is it the aspect of my monitor, or am I the only one who sees the elephant in the room…. Her. Is she getting huge or what?... 11:34 PM
  • kennedet: I must say I get a little concerned about Netrebko. Make no mistake that I can’t think of a more exciting singer in the... 11:10 PM
  • DerLeiermann: I see her stealing Margaret Price’s trademark look. http://www.lebrech t.co.uk/blog/wp-co ntent/uploads/2... 11:04 PM
  • laddie: You might want to run over to Philadelphia and catch “Cold Mountain” in February. I have seen Amleto and, well, I... 10:46 PM
  • Ilka Saro: Thanks for confirming that! My recollection was that it was in color, and I was thrown by the b/w clip. I don’t object to... 9:48 PM
  • aulus agerius: Operanews.com now has ‘The Year in Opera’ available which is very helpful. I’ve planned a trip to FL for... 8:48 PM
  • vilbastarda: Did any parterrian attend dell’Arte Opera’s Rosina by Hiram Titus, and care to share their thoughts? I went last... 8:47 PM

ENO is enough

The repertory for the 2012-2013 season of the English National Opera (also known as “Peter Gelb‘s shopping list”) boasts the premiere of a new opera by Philip Glass, The Perfect American, which imagines the last days of Walt Disney. It’s a co-production with Madrid’s Teatro Real and stars bass Christopher Purves as the legendary filmmaker. The company’s program also features nine new productions, including stagings by Peter Konwitschny, Calixto Bieito, David McVicar and Richard Jones. [the arts desk]