Cher Public

  • Sanford: As wonderful as that number is with Burns, Allen, and Astaire, the fun house number is even better but I couldn’t find it... 1:06 AM
  • Krunoslav: Note the absence of any discussion in the NYT review of Ryan McKinny’s , um, *singing*. 1:05 AM
  • Sanford: I lovelovelove that video. I watched most of the speeches tonight. I though Tim Kaine was great. And Bloomberg was awesome. But... 1:02 AM
  • Camille: I still can’t remember for sure but I am pretty certain I saw that Tosca whilst still a virgin maiden (as the fact that Mr... 12:27 AM
  • Camille: ON THIS DAY I cleaned out my storage locker and finally found the missing half of my beloved and irreplaceable DON CARLOS score!... 12:08 AM
  • Camille: This sounds very good to me, her voice being very well suited to this role and not sounding as if she is just attempting to... 12:02 AM
  • Quanto Painy Fakor: I took one look at the first scene of Das Rheingold televised on SKY turned it off. 11:26 PM
  • Camille: When I lived in L.A. For a few years in the last decade, occasionally I would pick up the Times to try and pay heed to Mr... 11:15 PM

ENO is enough

The repertory for the 2012-2013 season of the English National Opera (also known as “Peter Gelb‘s shopping list”) boasts the premiere of a new opera by Philip Glass, The Perfect American, which imagines the last days of Walt Disney. It’s a co-production with Madrid’s Teatro Real and stars bass Christopher Purves as the legendary filmmaker. The company’s program also features nine new productions, including stagings by Peter Konwitschny, Calixto Bieito, David McVicar and Richard Jones. [the arts desk]