Headshot of La Cieca

Cher Public

  • Regina delle fate: I snatched up the Inge Borkh “Most Wanted” recital, which Decca has just... 4:41 AM
  • Cicciabella: Indeed, Alagna sounds good. Adrianne Pieczonka is a lovely Elisabetta: the voice sounds both... 4:39 AM
  • rofrano: [SNORT!] 4:23 AM
  • MontyNostry: I thought that was a photo of Maria Guleghina until I realised it was Alagna. 4:20 AM
  • Cicciabella: +1 re the Maureen Forrester biography, sfmike. I really enjoyed the down-to-earth tone.... 4:15 AM
  • DeepSouthSenior: Please let it be noted that I did not make the original statements – “redbear&... 3:37 AM
  • Lohengrin: Sorry, he is NOT my cup of tea……& #8230;…. 3:15 AM
  • Guestoria Unpopularenka: One could hardly notice his absence then, he doesn’t have that much to sing +... 2:54 AM
  • La Cieca: Here is the final scene from 28 September. Whatever Alagna’s injury, either he recovered... 2:49 AM
  • Albertine: The interval was after the auto-da-fe scene, and of course Don Carlo does not appear in the... 2:29 AM

ENO is enough

The repertory for the 2012-2013 season of the English National Opera (also known as “Peter Gelb‘s shopping list”) boasts the premiere of a new opera by Philip Glass, The Perfect American, which imagines the last days of Walt Disney. It’s a co-production with Madrid’s Teatro Real and stars bass Christopher Purves as the legendary filmmaker. The company’s program also features nine new productions, including stagings by Peter Konwitschny, Calixto Bieito, David McVicar and Richard Jones. [the arts desk]