Cher Public

  • Sanford: As wonderful as that number is with Burns, Allen, and Astaire, the fun house number is even better but I couldn’t find it... 1:06 AM
  • Krunoslav: Note the absence of any discussion in the NYT review of Ryan McKinny’s , um, *singing*. 1:05 AM
  • Sanford: I lovelovelove that video. I watched most of the speeches tonight. I though Tim Kaine was great. And Bloomberg was awesome. But... 1:02 AM
  • Camille: I still can’t remember for sure but I am pretty certain I saw that Tosca whilst still a virgin maiden (as the fact that Mr... 12:27 AM
  • Camille: ON THIS DAY I cleaned out my storage locker and finally found the missing half of my beloved and irreplaceable DON CARLOS score!... 12:08 AM
  • Camille: This sounds very good to me, her voice being very well suited to this role and not sounding as if she is just attempting to... 12:02 AM
  • Quanto Painy Fakor: I took one look at the first scene of Das Rheingold televised on SKY turned it off. 11:26 PM
  • Camille: When I lived in L.A. For a few years in the last decade, occasionally I would pick up the Times to try and pay heed to Mr... 11:15 PM

Greetings from the Alcova Dorata!

miami_beach_thumbWhat a concept, or La Cieca should say what a concept! This is Regie at its finest and most boldly satirical, genius that makes Graham Vick look like two-day-old steak frites. For this production of Puccini’s Manon Lescaut, the director (unnamed, alas in the YouTube clip below) utilizes the cinematic convention of the flash-forward in a postmodern epoch-bending variation. What if, this staging asks, Manon were to survive her various torments and travails? What would her life be like at, say, age 60? And what if, instead of hanging around mosquito-ridden Louisiana, she invested in a condo in Miami Beach (circa 1975)?  Read more »