Headshot of La Cieca

Cher Public

  • uwsinnyc: I have to say she sounded *marginally* better when she did them a couple years ago. Or may be it... 5:18 PM
  • Clita del Toro: Why does anyone pay attention to that vile yenta, lebrecht? 5:14 PM
  • armerjacquino: Interesting the way the word is viewed on opposite sides of the pond. It’s more or less... 4:56 PM
  • irontongue: He is indeed a cowardly shit. That makes only two individual bloggers I know who have comments... 4:50 PM
  • antikitschychick: Not because of Ebola specifically. That was just an example. My point is that we live in a... 4:41 PM
  • armerjacquino: It happens, but it’s certainly not a house policy. I’ve seen four or five TOSCAs... 4:41 PM
  • moritz: You’re welcome, Porgy. I probably should have included the next sentence of the review as well:... 4:20 PM
  • Gualtier M: BTW: there is another whole generation of young Italian singers working all over Italy. This... 4:14 PM
  • antikitschychick: This took place on Sept. 28th so very recently :-). I second your concern about the burnout... 4:11 PM
  • Guestoria Unpopularenka: I’ve heard that they don’t clap after this aria at ROH. It was even... 4:10 PM

Greetings from the Alcova Dorata!

miami_beach_thumbWhat a concept, or La Cieca should say what a concept! This is Regie at its finest and most boldly satirical, genius that makes Graham Vick look like two-day-old steak frites. For this production of Puccini’s Manon Lescaut, the director (unnamed, alas in the YouTube clip below) utilizes the cinematic convention of the flash-forward in a postmodern epoch-bending variation. What if, this staging asks, Manon were to survive her various torments and travails? What would her life be like at, say, age 60? And what if, instead of hanging around mosquito-ridden Louisiana, she invested in a condo in Miami Beach (circa 1975)?  Read more »