Cher Public

  • Henry Holland: Thanks for the heads up, I’ll give it a listen this weekend. 1:57 AM
  • Jungfer Marianne Leitmetzerin: OK – this cements it: I am officially changing the cast and date on my Mixcloud page and removing... 1:44 AM
  • Jungfer Marianne Leitmetzerin: Listen to her Leonore from Wiener Staatsoper in June at my Mixcloud page and judge for yourself.... 1:39 AM
  • Cicciabella: Soffel is not the youngest of singers. Making allowances for that, I liked what she did with the text. No-one was anywhere... 1:11 AM
  • dr.malatempra: Indeed, the finest Verdi baritone singing I have heard since the prime of Cornell Macneil or the young,(Goldovsky Opera... 12:52 AM
  • Rosemont: Thank you for the reports and reviews from Santa Fe! I will be there for the first time first week of August…und freue... 12:25 AM
  • Lohenfal: Sure, but as I said, they (or others) may not be available. These singers are signed up way in advance. One never knows what... 12:11 AM
  • Sanford: She is terrific but the men are pretty awful, especially the tenor. The other voice I liked was Margareta Elkins. 11:34 PM

The Prince of Alice Tully Hall

Either you adore “The World Is but a Broken Toy” from Act II of Princess Ida and have always wanted to hear it sung by voices of operatic quality… or you don’t… and you haven’t. You are immune, as so many are, to operetta, once serene occupant of the theatric perch latterly usurped by the likes of Les Miserables and Evita. Long ago—but operetta seems always to have evoked “long ago,” to have been an art of nostalgia. Long ago, in operetta’s heyday, singers didn’t use microphones and the tunes that showed their voices off were a whole lot better than the current Broadway crop.   Read more »