Cher Public

  • blansac: What the HDs cannibalize in ticket sales they may make up in way of generating donations. I’m guessing that one of the... 12:38 PM
  • kashania: I know that it’s tricky to arrange with all the collective agreements (and “tricky̶ 1; is likely a gross... 12:26 PM
  • Krunoslav: Cosme’s bio pic will in fact be titled STRAPPING ALONG. 12:25 PM
  • Bluebeard: Ok, but let’s think about the prices of Met tickets, which have become unbelievably expensive since the 2012-2013 season... 12:22 PM
  • overstimmelated: I was at the Entführung with terrific Ben Bliss and it looked like a practically full house from where I was sitting. I... 12:21 PM
  • classicalbeat: Gualtier M: I do not often enter this arena, but it seems relevant and only slightly self-serving to say that I did see... 12:16 PM
  • La Cieca: Well, everyone says this, but if you take a look at Broadway grosses, the majority of shows run lower than 66%. The problem is... 11:44 AM
  • The Poet Lenski: Not offering HD screenings in the NYC area would only work if the Met offered more access to reasonably priced tickets,... 11:44 AM

The Prince of Alice Tully Hall

Either you adore “The World Is but a Broken Toy” from Act II of Princess Ida and have always wanted to hear it sung by voices of operatic quality… or you don’t… and you haven’t. You are immune, as so many are, to operetta, once serene occupant of the theatric perch latterly usurped by the likes of Les Miserables and Evita. Long ago—but operetta seems always to have evoked “long ago,” to have been an art of nostalgia. Long ago, in operetta’s heyday, singers didn’t use microphones and the tunes that showed their voices off were a whole lot better than the current Broadway crop.   Read more »