Headshot of La Cieca

Cher Public

  • stevey: Hi Camille! :-) By all means, go with the Sills. Elisabetta is the one role which Sills herself said... 2:23 AM
  • guy pacifica: To me, Sills is the ultimate Elizabeth in Roberto Devereaux. But surely you know this, so this... 1:40 AM
  • Sempre liberal: I love the name Fritzi. Reminds me of Anna Kendrick’s character in Camp called Fritzi.... 12:42 AM
  • Guestoria Unpopularenka: Chere Camille, here’s something more unorthodox – Pendatchanska.... 12:36 AM
  • Quanto Painy Fakor: Finally, a better print of Pacific Overtures: httpv://www.youtub e.com/watch?v=M... 12:31 AM
  • Buster: Annette, das bezaubernde Fräulein, is how she is known in operettaland, Camille. 12:30 AM
  • Buster: Thanks for this interesting review Grimaldo! Enzo Bordello saw Dasch in this, I believe, and liked... 12:28 AM
  • louannd: I recently saw JDD in recital up in Santa Fe, and, she was, indeed, very chatty. The crowd ate it... 11:48 PM
  • Camille: Roberto Devereux recommendations, anyone? Thinking about Opera Rara’s version with Nelly... 11:41 PM
  • Camille: Sounds like something right up Buster’s alley! Maîtresse-en-titre is a wonderful phrase.... 11:10 PM

The Prince of Alice Tully Hall

Either you adore “The World Is but a Broken Toy” from Act II of Princess Ida and have always wanted to hear it sung by voices of operatic quality… or you don’t… and you haven’t. You are immune, as so many are, to operetta, once serene occupant of the theatric perch latterly usurped by the likes of Les Miserables and Evita. Long ago—but operetta seems always to have evoked “long ago,” to have been an art of nostalgia. Long ago, in operetta’s heyday, singers didn’t use microphones and the tunes that showed their voices off were a whole lot better than the current Broadway crop.   Read more »