Headshot of La Cieca

Cher Public

  • Camille: One hopes that Lurquito’s chastity has managed to remain intact!! Please do not apologise for... 9:43 PM
  • marshiemarkII: Lurquito but you left out the bed with the silks….. :D 9:29 PM
  • marshiemarkII: Mi chiamasti?!?!?!?!? Oh I have sinned I have sinned I have sinned my adored gurls, but this... 9:27 PM
  • Operngasse: Krunoslav – thank you for the correct information – the question mark meant I really... 9:20 PM
  • La Valkyrietta: Camille, No, me no guaso chileno, but I was easily assimilated, and did spend some years of... 9:09 PM
  • DellaCasaFan: Just as I had typed it I noticed the snafu… her Elena, of course .. Mafalda Favero was... 8:44 PM
  • Lurker_del_Cairo: Camille and La V – I will give Marshie a nudge – he HAS been busy (but... 8:43 PM
  • DellaCasaFan: Jungfer Marianne, it’s very kind of you to offer it. I don’t believe that any of... 8:41 PM
  • Jungfer Marianne Leitmetzerin: I have Arangi-Lombardi on two complete Columbia recordings: Mascagni:... 7:47 PM
  • MontyNostry: And Arangi-Lombardi was Leyla’s mentor. httpv://www.youtub e.com/watch?v=2L1r hK11KfQ 7:27 PM

The Prince of Alice Tully Hall

Either you adore “The World Is but a Broken Toy” from Act II of Princess Ida and have always wanted to hear it sung by voices of operatic quality… or you don’t… and you haven’t. You are immune, as so many are, to operetta, once serene occupant of the theatric perch latterly usurped by the likes of Les Miserables and Evita. Long ago—but operetta seems always to have evoked “long ago,” to have been an art of nostalgia. Long ago, in operetta’s heyday, singers didn’t use microphones and the tunes that showed their voices off were a whole lot better than the current Broadway crop.   Read more »