Headshot of La Cieca

Cher Public

  • Anna Tema: Speaking of vocal colours/voice types, it’ll be interesting to hear the rumoured Norma with... 7:19 PM
  • antikitschychick: Dabrowski: thank you so much for posting a link to that Alex Ross piece. It was... 7:12 PM
  • manou: Thank you rapt – sometimes “disinterest ed” as in “I have no axe to... 6:44 PM
  • manou: Omphaloskepsis? 6:41 PM
  • RudigerVT: Agreed! Fun and evocative. A now defunct local company did a similar barnstorming production of... 6:20 PM
  • overstimmelated: It may be non-NY news but it’s news in Chicago, where the lead is: “Sudden... 6:20 PM
  • laddie: La Cieca is, unfortunately, very busy right now running a website about the New York opera scene. 5:43 PM
  • ML: Cieca, where are you on this? 5:33 PM
  • ML: È vero. 5:29 PM
  • ML: My thinking is, on the upside, the Aida might be shifted to the same time next year, once Muti feels a... 5:28 PM

The Prince of Alice Tully Hall

Either you adore “The World Is but a Broken Toy” from Act II of Princess Ida and have always wanted to hear it sung by voices of operatic quality… or you don’t… and you haven’t. You are immune, as so many are, to operetta, once serene occupant of the theatric perch latterly usurped by the likes of Les Miserables and Evita. Long ago—but operetta seems always to have evoked “long ago,” to have been an art of nostalgia. Long ago, in operetta’s heyday, singers didn’t use microphones and the tunes that showed their voices off were a whole lot better than the current Broadway crop.   Read more »