Cher Public

  • mjmacmtenor: Like She Loves Me and Gooch, but LIli is supposed to be a child/woman of teenage years. How about Kate in Kiss Me Kate or... 10:09 PM
  • mjmacmtenor: httpv://youtu.be/V 0L5l0G0jd4 9:56 PM
  • mjmacmtenor: One of my favorite songs (by Poulend) was written for Printemps httpvs://youtu.be/ V0L5l0G0jd4 9:55 PM
  • Satisfied: Absolutely thrilling Gotterdämmerung with an immolation scene I will cherish forever! While I didn’t so much care for the... 5:32 PM
  • NPW-Paris: “Images of polluting smokestacks and denuded landscapes play over the scene transition projections, turning every... 5:32 PM
  • Sheldon: Alex–Thanks for a wonderful review, with which I agree 100%. I attended the third cycle with the same sense of potential... 5:24 PM
  • Porgy Amor: Thank you once again, Alex, for your marvelous writing about this cycle. It has been a pleasure throughout the month. 5:17 PM
  • Signor Bruschino: Passion is an interesting beast- haven’t heard anyone on broadway saying ‘Let’s get a revival of... 4:20 PM

The Prince of Alice Tully Hall

Either you adore “The World Is but a Broken Toy” from Act II of Princess Ida and have always wanted to hear it sung by voices of operatic quality… or you don’t… and you haven’t. You are immune, as so many are, to operetta, once serene occupant of the theatric perch latterly usurped by the likes of Les Miserables and Evita. Long ago—but operetta seems always to have evoked “long ago,” to have been an art of nostalgia. Long ago, in operetta’s heyday, singers didn’t use microphones and the tunes that showed their voices off were a whole lot better than the current Broadway crop.   Read more »