Cher Public

  • LT: Domingo’s Salzburg gala with Villazon, Stoyanova, Agresta and Martinez. http://www.br.de/r adio/br-klassik/mu enchner-rundfun... 8:22 PM
  • armerjacquino: Frazzoni was THE Minnie for a while, wasn’t she? 8:07 PM
  • WindyCityOperaman: RIP singer Cilla Black httpvh://www.youtu be.com/watch?v=8lQ OJxBDV5s 7:59 PM
  • oscar: Cossotto sang the smaller role of Sister Mathilde in the premiere. Gigliola Frazzoni sang the Mother Marie. She was a dramatic... 7:54 PM
  • Batty Masetto: Aulus, I saw Pippin’s version of Martha too back in the day – absolutely charming. I also remember an... 6:53 PM
  • mjmacmtenor: Here is the La Scala performance – in Italian as Poulenc requested. Besides Virginia Zeani as Blanche, there is Leyla... 6:39 PM
  • mjmacmtenor: I have just recently been reading “Show Boat – Performing Race in An American Musical” by Todd Decker. An... 6:05 PM
  • mjmacmtenor: An early Kahn appearance on Tonight Show back in the Johnny Carson days. Wish there were some good clips from her She Loves... 5:57 PM

The Prince of Alice Tully Hall

Either you adore “The World Is but a Broken Toy” from Act II of Princess Ida and have always wanted to hear it sung by voices of operatic quality… or you don’t… and you haven’t. You are immune, as so many are, to operetta, once serene occupant of the theatric perch latterly usurped by the likes of Les Miserables and Evita. Long ago—but operetta seems always to have evoked “long ago,” to have been an art of nostalgia. Long ago, in operetta’s heyday, singers didn’t use microphones and the tunes that showed their voices off were a whole lot better than the current Broadway crop.   Read more »