Headshot of La Cieca

Cher Public

  • "Ok, but it’s crazy to think of the Komische as small. Yes, they’re..." - Bluebeard
  • "Bluebeard, what I’m saying is that the model for running a smaller, regional..." - Poison Ivy
  • "As far as I’m aware, the problem with attracting premiere singers at Bayreuth..." - Bluebeard
  • "good points Ivy, but wouldn’t you agree that some changes are still..." - antikitschychick
  • "Not to stray too far from the discussion from Ianw’s liquid shits, but for my..." - m. croche
  • "Just a couple of details: – The Komische Oper draws singers primarily from a..." - Fluffy-net
  • "A penthouse Don G. How revolutionary. Next you’ll blow my mind with a Verdi..." - ianw2
  • "If someone is really interested in opera, they would likely read the few paragraphs..." - ianw2

The Prince of Alice Tully Hall

Either you adore “The World Is but a Broken Toy” from Act II of Princess Ida and have always wanted to hear it sung by voices of operatic quality… or you don’t… and you haven’t. You are immune, as so many are, to operetta, once serene occupant of the theatric perch latterly usurped by the likes of Les Miserables and Evita. Long ago—but operetta seems always to have evoked “long ago,” to have been an art of nostalgia. Long ago, in operetta’s heyday, singers didn’t use microphones and the tunes that showed their voices off were a whole lot better than the current Broadway crop.   Read more »