Cher Public

  • Camille: Elina Garanca is a dramatic mezzo? To invoke Leonie, “Was ist das?” Her singing of Amneris would be comparable to... 12:05 PM
  • Camille: Yes, I know very well he was wonderful as Bacchus, as I had that recording of his from 1968-69 onward and played it into... 12:01 PM
  • Camille: It sounds waaaaaaay better here than it did later on, by the time we inherited her Komponist at the Metropolitan. The vibrato... 11:54 AM
  • oscar: Speaking of singers who sang everything at one time or another during the course of their career, our birthday girl Julia Varady:... 11:48 AM
  • Camille: Caftans being as normal in Lebanon as torn leather jackets are/were in the East Village, parkas in Alaska, bikinis in... 11:48 AM
  • messa di voce: Thanks for clarifying. 11:38 AM
  • Camille: One hopes Dorothy Bishop never encounters Renée Fleming in the frozen foods section of Trader Joe’s @ 72nd Street. Bloody... 11:34 AM
  • Camille: The first one worked for me and Sonya did sound fine. Let’s hope it sounds that way in the house. The second one said... 11:28 AM

The Prince of Alice Tully Hall

Either you adore “The World Is but a Broken Toy” from Act II of Princess Ida and have always wanted to hear it sung by voices of operatic quality… or you don’t… and you haven’t. You are immune, as so many are, to operetta, once serene occupant of the theatric perch latterly usurped by the likes of Les Miserables and Evita. Long ago—but operetta seems always to have evoked “long ago,” to have been an art of nostalgia. Long ago, in operetta’s heyday, singers didn’t use microphones and the tunes that showed their voices off were a whole lot better than the current Broadway crop.   Read more »