The very first words in this issue are “Renata Scotto will return to the American operatic stage in the 2001 season!” And if just gets more exciting from there! Casting and repertoire gossip from all over the place; the Top 50 Excuses for Jane Eaglen‘s Isolde; reviews by Dawn Fatale, Qual Cor, Enzo Bordello, Doug Peck, Richard and Peter, Flora Bervoix and The Loge Lizard; Leila de Lakmé pays tribute to Leonie Rysanek, and that notorious “artist’s conception” of Renée Fleming with the nekkid guys in Alcina. [Download Issue #39]
“When Canadian soprano Meghan Lindsay agreed to appear in the title role of Handel’s opera Alcina for Opera Atelier’s 2014-15 season, she never thought her job description would include standing on a stepladder for three hours, naked, except for 20,000 leaves hot-glue-gunned onto a piece of fabric. Oh yes, and there were seven naked men on the ground around her.” [The Star]
What other company indeed but the Bayerische Staatsoper would commission David LaChapelle to photograph Diana Damrau for their portrait gallery? (And, not to put too fine a point on it, what’s the deal with the dead naked guy?) [Flaunt]
Promiscuous — it’s not a pretty word. But when a matron in black underwear cavorts with two dozen naked hunks, what else can you call her?
A parterre reader just back from the matinee of Powder Her Face relates this story of two elderly ladies seated in the second row…
Now it seems the NYCO’s Duchess of Argyll will have to make do with a mere 25 lovers in the company’s production of Powder Her Face—instead of the originally planned 88.
“Greek Fire…. will see [Eva] Mendes playing the role of famed opera singer Maria Callas, but don’t expect her to be doing any arias, or even lip-synching for that matter. Instead, the biographical drama will focus on Callas’ scandalous affair with shipping magnate Aristotle Onassis.” [Toronto Sun]
Which tenor, who’s notorious for his off-the-chain antics, recently gave his colleagues the willies when he sauntered about backstage butt-naked?