Headshot of La Cieca

Cher Public

  • Buster: Thank you for another smashing overview. Will start with all the French ones. 1:56 AM
  • Guestoria Unpopularenka: I had no idea she was that rich. 1:37 AM
  • Guestoria Unpopularenka: Damn, right, you won’t. Larry doesn’t scream like this. And why did Joan... 1:33 AM
  • Guestoria Unpopularenka: I haven’t seen more than the cabaletta. I will watch the duet. However, in... 1:13 AM
  • DeepSouthSenior: She slips and nearly falls flat on her pretty little face at 1:06. Now, that would have... 12:50 AM
  • dr.malatempra: Oh, for heaven’s sake. How can you possibly know before you go??? Yes, you may not, but... 12:29 AM
  • williams: Argh! Wrong place. Lead balloon is aloft. 12:15 AM
  • williams: Rowna-just beautiful and so are you. 12:10 AM
  • williams: I had a case of mild golf clap back in the 70′s 12:03 AM
  • zinka: httpv://www.youtub e.com/watch?v=xAEk rBbEELo I will be there Tues..but I KNOW I will hear absolutely... 12:00 AM

The ladies who liaise

stritch_armfeltOur own JJ (not pictured) revisits A Little Night Music, and who should be inhabiting that chateau extravagantly overstaffed but Elaine Stritch? [Capital New York]

Cold cassia files

Ken Howard / Metropolitan Opera“Carmen, opera’s favorite bad girl, is sexy, unpredictable and fascinating — everything the Met’s new production of Bizet’s Carmen is not.” [NYP]

Amuse-bouche

Philip Langridge as the Witch in "Hansel and Gretel". Photo:  Ken Howard/Metropolitan Opera“It’s no spoiler to reveal that, at the end of Hansel and Gretel, the kids defeat the witch. In the Met’s production of Humperdinck’s fairy-tale opera, the singers of the title roles steal the show, as well.” [NY POST] Read more »

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Last soprano standing

“As for Elektra — one of the most strenuous of opera roles — the Met seemed to have settled for a singer who could survive the ordeal.”  [NY Post]

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Wanting magic

“As the Met chorus raised their voices at the climax of Les Contes d’Hoffmann Thursday night, the tavern setting opened up, revealing … a gray wall. It was a sadly appropriate visual symbol for a glamour-deprived dud of a new production.” [NY Post]

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And I am telling you I am not belting

“Since the 1918 premiere of Puccini’s Il Trittico, only two divas at the Met dared to sing the leading roles in all three of its one-act operas: Renata Scotto, a supreme vocal stylist, and Teresa Stratas, a magnetic singing actress. On Friday, Patricia Racette, who is not quite either of these things, took the plunge.” [NY Post]

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Perfection

Our JJ writes his rave of raves: “If such a thing as perfection in opera is possible, in this House of the Dead, the Met achieves it.” [NY Post]

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From the House of the Gelb

Our Own JJ interviews the Met’s general manager Peter Gelb in today’s New York Post.

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Breakfast

“Beefcake and hamantaschen may seem an odd menu, but in the New York City Opera’s first season in two years, they somehow make a balanced meal.” [NY Post]

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Smokey and the Pundit

Our publisher JJ will grace the airwaves of WNYC this afternoon at 2:00 PM for an appearance on Soundcheck.  The topic is that one on everyone’s mind right now, the renascent New York City Opera.

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