Our own JJ (not pictured) revisits A Little Night Music, and who should be inhabiting that chateau extravagantly overstaffed but Elaine Stritch? [Capital New York]
“Carmen, opera’s favorite bad girl, is sexy, unpredictable and fascinating — everything the Met’s new production of Bizet’s Carmen is not.” [NYP]
“As for Elektra — one of the most strenuous of opera roles — the Met seemed to have settled for a singer who could survive the ordeal.” [NY Post]
“As the Met chorus raised their voices at the climax of Les Contes d’Hoffmann Thursday night, the tavern setting opened up, revealing … a gray wall. It was a sadly appropriate visual symbol for a glamour-deprived dud of a new production.” [NY Post]
“Since the 1918 premiere of Puccini’s Il Trittico, only two divas at the Met dared to sing the leading roles in all three of its one-act operas: Renata Scotto, a supreme vocal stylist, and Teresa Stratas, a magnetic singing actress. On Friday, Patricia Racette, who is not quite either of these things, took the plunge.” [NY Post]
Our JJ writes his rave of raves: “If such a thing as perfection in opera is possible, in this House of the Dead, the Met achieves it.” [NY Post]
Our Own JJ interviews the Met’s general manager Peter Gelb in today’s New York Post.
“Beefcake and hamantaschen may seem an odd menu, but in the New York City Opera’s first season in two years, they somehow make a balanced meal.” [NY Post]