Headshot of La Cieca

Cher Public

  • m. croche: Rogers. 6:36 PM
  • kennedet: As the great philosopher “Kenny Rodgers” sings. “You got to know when to hold... 5:48 PM
  • bobsnsane: Yo Cammy & Parterre Peoples ! I saw those ’7 faces’ too… I was too much into... 5:46 PM
  • pirelli: The Beggar Woman is not all that low (it gets up as high as the F# at the top of the staff), nor... 5:38 PM
  • Camille: O good. Was not looking forward to hearing Tommy’s père Miller and had been my sole... 4:49 PM
  • manou: Il Ritorno di Œdipe In Patria. 4:49 PM
  • tiger1: Dear Orion, Your comparisons do not make any sense. Musically the end of Di Quelle Pira is structured... 4:46 PM
  • steveac10: Futral hit the scene fairly late in the game for her type of voice (she was already in her... 4:36 PM
  • kashania: Oedipe: Stay a while! 4:28 PM
  • Camille: Another one was the time he threatened Oscar, saying: “iI warn you! You’re dealing with... 4:21 PM

The ladies who liaise

stritch_armfeltOur own JJ (not pictured) revisits A Little Night Music, and who should be inhabiting that chateau extravagantly overstaffed but Elaine Stritch? [Capital New York]

Cold cassia files

Ken Howard / Metropolitan Opera“Carmen, opera’s favorite bad girl, is sexy, unpredictable and fascinating — everything the Met’s new production of Bizet’s Carmen is not.” [NYP]

Amuse-bouche

Philip Langridge as the Witch in "Hansel and Gretel". Photo:  Ken Howard/Metropolitan Opera“It’s no spoiler to reveal that, at the end of Hansel and Gretel, the kids defeat the witch. In the Met’s production of Humperdinck’s fairy-tale opera, the singers of the title roles steal the show, as well.” [NY POST] Read more »

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Last soprano standing

“As for Elektra — one of the most strenuous of opera roles — the Met seemed to have settled for a singer who could survive the ordeal.”  [NY Post]

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Wanting magic

“As the Met chorus raised their voices at the climax of Les Contes d’Hoffmann Thursday night, the tavern setting opened up, revealing … a gray wall. It was a sadly appropriate visual symbol for a glamour-deprived dud of a new production.” [NY Post]

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And I am telling you I am not belting

“Since the 1918 premiere of Puccini’s Il Trittico, only two divas at the Met dared to sing the leading roles in all three of its one-act operas: Renata Scotto, a supreme vocal stylist, and Teresa Stratas, a magnetic singing actress. On Friday, Patricia Racette, who is not quite either of these things, took the plunge.” [NY Post]

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Perfection

Our JJ writes his rave of raves: “If such a thing as perfection in opera is possible, in this House of the Dead, the Met achieves it.” [NY Post]

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From the House of the Gelb

Our Own JJ interviews the Met’s general manager Peter Gelb in today’s New York Post.

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Breakfast

“Beefcake and hamantaschen may seem an odd menu, but in the New York City Opera’s first season in two years, they somehow make a balanced meal.” [NY Post]

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Smokey and the Pundit

Our publisher JJ will grace the airwaves of WNYC this afternoon at 2:00 PM for an appearance on Soundcheck.  The topic is that one on everyone’s mind right now, the renascent New York City Opera.

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