Cher Public

  • La Valkyrietta: Okay, I had a brilliant idea this morning. If the Royal Opera Guillaume Tell is done at in NYC in the future, and if they... 9:11 AM
  • Cicciabella: You’re welcome, armer! The heat is boiling my brain, and I forgot to mention the level-headed Brit by name: Mark... 7:37 AM
  • armerjacquino: But not all Brits agree *crying with relief* I’ve been waiting ten years for someone to say that on here. THANK you,... 6:55 AM
  • Cicciabella: Context for above posts: ENO’s Queen of Spades, avaiable on BBC iPlayer and elsewhere discussed by manou et al. 6:20 AM
  • Cicciabella: But not all Brits agree. After singling out Felicity Palmer’s Countess (powerful even via radio), he praises thr... 6:01 AM
  • Cicciabella: Guess who: “There was nothing much wrong with Nicholas Pallesen’s Yeletsky or Gregory Dahl’s Tomsky either, but I can... 5:45 AM
  • Cicciabella: Placido demands respect while promoting Operalia: http://www.theguar dian.com/music/201 5/jul/04/placido-d omingo-opera-ra... 4:48 AM
  • Cicciabella: Orchestra and chorus indeed sounded wonderful yesterday on the radio. It’s still available on BBC Opera on 3. What a... 4:46 AM

The case of the missing Amelia

“In the space of a few words, the leading role in a major new production had been reassigned. But why?” Zachary Woolfe explores “the byzantine world of opera casting.” [New York Times]