Headshot of La Cieca

Cher Public

  • phoenix: “If you’re in a bad situation, don’t worry it’ll change. If you’re in... 8:34 AM
  • manou: Fausta – reincarnated as Christine Goerke. 8:22 AM
  • La Cieca: The Met responds to the New Yorker, and a couple of idiot reactionaries chime in as well.... 7:51 AM
  • armerjacquino: Stratas made a gorgeous recording of Fennimore’s song. 6:58 AM
  • lyrebird: I heard Magee in Britten’s War Requiem in Berlin (BPO Rattle) and she was the best thing in... 4:15 AM
  • NPW-Paris: … oops, I hadn’t finished! … but doesn’t meet them, it was a very special... 1:23 AM
  • NPW-Paris: “EarnestR 21;. That is very well put. I may quote you on that. Even so,and despite a very... 1:22 AM
  • la vociaccia: Few things here: I’m done with the “give her time” meme. The time to hope... 12:35 AM
  • warmke: A bit harsh. Typical American schooled singer, more focused on evenness of resonance than the curve... 11:23 PM
  • Camille: Just now, remembering how well Poplavskaya played Elisabeth’s scene. I won’t see that... 11:23 PM

The case of the missing Amelia

“In the space of a few words, the leading role in a major new production had been reassigned. But why?” Zachary Woolfe explores “the byzantine world of opera casting.” [New York Times]