Headshot of La Cieca

Cher Public

  • Feldmarschallin: Did you get your Manon Lescaut tickets? I got my usual seat again. 10 of us were there the... 5:23 AM
  • ML: Yes, it’s too heavy. Maybe WCO could prepare a weekly look ahead at birthdays, in parallel with the... 4:51 AM
  • CwbyLA: I am Antonio Salieri. I declare you guilty as charged. 3:48 AM
  • CwbyLA: OK so now that the puzzle has been collectively solved, what are the childish scenes this Bill... 3:47 AM
  • MontyNostry: Here’s a French review (but with Stundyte as Chrysothemis). http://www.foru... 3:24 AM
  • Jungfer Marianne Leitmetzerin: He needs to get a German tutor if this is the repertoire he wishes to pursue.... 2:00 AM
  • La Cieca: Let me know what you think, cher public: do we need an “intermissio n feature” weekly... 1:26 AM
  • Buster: Canadian tenor Andrew Haji won the IVC. One of the singers I did not get to hear myself, but this... 12:34 AM
  • m. croche: httpv://www.youtub e.com/watch?v=uK4g UcD3XiE 12:16 AM
  • Buster: Thanks, Monty. Liene Kinca was a great Aksinya in the Bieito Lady Macbeth of Mtsensk too. A pity... 12:14 AM

The case of the missing Amelia

“In the space of a few words, the leading role in a major new production had been reassigned. But why?” Zachary Woolfe explores “the byzantine world of opera casting.” [New York Times]