Headshot of La Cieca

Cher Public

  • NPW-Paris: That makes it a very large fragment. People seem to love “Pur ti miro”, for example,... 8:25 AM
  • Indiana Loiterer III: Well, it was their first issue. Magazines generally take a few issues to settle down... 8:23 AM
  • DellaCasaFan: I thought that Gerhaher did the Winterreise concert last week, with Brahms scheduled for... 7:49 AM
  • Indiana Loiterer III: NPW–not necessarily (I think of Poppea as being a great fragment) but maybe the... 7:39 AM
  • Indiana Loiterer III: Was the weird blue Orfeo the 1999 Trisha Brown with Simon Keenlyside, Rene Jacobs... 7:32 AM
  • Milady DeWinter: Oh my, Amnerees – you did have a rather close and unpleasant encounter with Mr.... 6:58 AM
  • manou: Interesting choice of photograph for Werther. 6:00 AM
  • NPW-Paris: Goodness me, a photo! http://www.ginoqui lico.com/webstore/ Opera%20Internatio nal.JPG 5:51 AM
  • NPW-Paris: It was the first thing I ever saw at the Aix Festival, come to think of it. And Orfeo was…... 5:50 AM
  • NPW-Paris: Fabio Biondi said (again) in a recent interview (published in Spanish): “I would like to see... 5:13 AM

The case of the missing Amelia

“In the space of a few words, the leading role in a major new production had been reassigned. But why?” Zachary Woolfe explores “the byzantine world of opera casting.” [New York Times]