Headshot of La Cieca

Cher Public

  • Olivero is my Drug of Choice: I didn’t know she had recorded these. Netrebko/Barenboim in Four Last... 5:37 AM
  • SF Guy: SFO has done Tosca so often lately, there are now four clipfest previews on YouTube; Jagde has been... 5:33 AM
  • Lohengrin: There is another clip: https://www.youtub e.com/watch?v=N3o6 yCtflzk 5:29 AM
  • Lohengrin: See Haroutounian as Elisabetta from London on YT (poor acting – JK tries to act arround her,... 5:27 AM
  • Jungfer Marianne Leitmetzerin: I think we petty much established that the Radamès is Giovanni Martinelli most... 3:57 AM
  • WindyCityOperaman: Sorry – in between the time I chose it and now someone turned the light off on the... 3:56 AM
  • Guestoria Unpopularenka: Only 1 night. Why? I have no clue. 3:34 AM
  • La Cieca: Selecting video clips for the “On this day” feature is difficult: how, for example, is... 3:17 AM
  • Cicciabella: Finally! Soneone who likes Haroutounian for herself and not because she comes to the aid of an... 2:41 AM
  • Angelo Saccosta: Me too, Quanto. It all started for me on March 31, 1956, Manon Lescaut with Licia and Jussi. 2:08 AM

The case of the missing Amelia

“In the space of a few words, the leading role in a major new production had been reassigned. But why?” Zachary Woolfe explores “the byzantine world of opera casting.” [New York Times]