Headshot of La Cieca

Cher Public

  • Camille: One hopes that Lurquito’s chastity has managed to remain intact!! Please do not apologise for... 9:43 PM
  • marshiemarkII: Lurquito but you left out the bed with the silks….. :D 9:29 PM
  • marshiemarkII: Mi chiamasti?!?!?!?!? Oh I have sinned I have sinned I have sinned my adored gurls, but this... 9:27 PM
  • Operngasse: Krunoslav – thank you for the correct information – the question mark meant I really... 9:20 PM
  • La Valkyrietta: Camille, No, me no guaso chileno, but I was easily assimilated, and did spend some years of... 9:09 PM
  • DellaCasaFan: Just as I had typed it I noticed the snafu… her Elena, of course .. Mafalda Favero was... 8:44 PM
  • Lurker_del_Cairo: Camille and La V – I will give Marshie a nudge – he HAS been busy (but... 8:43 PM
  • DellaCasaFan: Jungfer Marianne, it’s very kind of you to offer it. I don’t believe that any of... 8:41 PM
  • Jungfer Marianne Leitmetzerin: I have Arangi-Lombardi on two complete Columbia recordings: Mascagni:... 7:47 PM
  • MontyNostry: And Arangi-Lombardi was Leyla’s mentor. httpv://www.youtub e.com/watch?v=2L1r hK11KfQ 7:27 PM

There ought to be a new word for camp

glum_janetTyler Perry‘s… For Colored Girls does feel like a ghoulish joke, a dated horror show bordering on parody. It’s both operatic and tone deaf, with explosions of hysteria that include a drunken Macy Gray performing a back-alley abortion and the conversion of a poem spoken by [Ntozake] Shange‘s Lady in Purple into an actual opera by Perry’s regular composer Aaron Zigman (called La Donna In Viola). During the opera, the film cuts back and forth between a doomed couple silently watching the performance (the husband is on the down low, unbeknownst to the wife) and another character being savagely date-raped.” [Time]