Headshot of La Cieca

Cher Public

  • Milady DeWinter: Oh my, Amnerees – you did have a rather close and unpleasant encounter with Mr.... 6:58 AM
  • manou: Interesting choice of photograph for Werther. 6:00 AM
  • NPW-Paris: Goodness me, a photo! http://www.ginoqui lico.com/webstore/ Opera%20Internatio nal.JPG 5:51 AM
  • NPW-Paris: It was the first thing I ever saw at the Aix Festival, come to think of it. And Orfeo was…... 5:50 AM
  • NPW-Paris: Fabio Biondi said (again) in a recent interview (published in Spanish): “I would like to see... 5:13 AM
  • NPW-Paris: Nobody has mentioned Poppea. Does that mean I’ve come across some people who, like me, think... 4:10 AM
  • Buster: I loved Regula Mühlemann’s Papagana in the Simon McBurney Flute, but ervyone in that was... 1:28 AM
  • Betsy_Ann_Bobolink: Ja’nai Bridges is quite a stalwart comprimaria in Chicago through the Ryan Slave... 1:04 AM
  • Krunoslav: Even the diehard Body Nazis among us, one would think, might not care whether a *Rigoletto*R... 11:48 PM
  • Porgy Amor: As for Mr. Green (or – seriously – is he called Mr. Green or Mr. Speedo Green?) He would be... 11:03 PM

There ought to be a new word for camp

glum_janetTyler Perry‘s… For Colored Girls does feel like a ghoulish joke, a dated horror show bordering on parody. It’s both operatic and tone deaf, with explosions of hysteria that include a drunken Macy Gray performing a back-alley abortion and the conversion of a poem spoken by [Ntozake] Shange‘s Lady in Purple into an actual opera by Perry’s regular composer Aaron Zigman (called La Donna In Viola). During the opera, the film cuts back and forth between a doomed couple silently watching the performance (the husband is on the down low, unbeknownst to the wife) and another character being savagely date-raped.” [Time]