Cher Public

  • manou: …unfortunate ly! 6:36 AM
  • NPW-Paris: The mood often takes you, I think. 5:57 AM
  • phoenix: right you are Rudie – Sig. Bybee advertises himself as a baritone - I remember the old RCA Moffo set. It was engineered so... 4:39 AM
  • soubrettino: I love a good Rondine. The Doretta’s dream is done to death IMHO, and I prefer Magda’s second aria.... 3:59 AM
  • manou: As I am in the mood for an excruciating bilingual pun (and when am I not?), I will ask whether the stage holes are green. 3:57 AM
  • NPW-Paris: “Netrebko herself took a tumble in one of the Paris Opera potholes.” With whom? 2:52 AM
  • NPW-Paris: In true French style it was announced that A.Netrebko would be replaced by “Madame Eh”. I wonder how they might... 2:50 AM
  • CwbyLA: Great review Albert! So informative. It was a great pleasure to read it. I saw the work in Santa Fe last year. It was my first... 2:25 AM

There ought to be a new word for camp

glum_janetTyler Perry‘s… For Colored Girls does feel like a ghoulish joke, a dated horror show bordering on parody. It’s both operatic and tone deaf, with explosions of hysteria that include a drunken Macy Gray performing a back-alley abortion and the conversion of a poem spoken by [Ntozake] Shange‘s Lady in Purple into an actual opera by Perry’s regular composer Aaron Zigman (called La Donna In Viola). During the opera, the film cuts back and forth between a doomed couple silently watching the performance (the husband is on the down low, unbeknownst to the wife) and another character being savagely date-raped.” [Time]