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Cher Public

  • Buster: Bradic is indeed wonderful. She was in the ensemble in Antwerp a few years ago – saw her in... 4:30 PM
  • phoenix: I didn’t need another NYT Clinton endorsement, but read the article and enjoy it –... 4:29 PM
  • PushedUpMezzo: I was at one of the Dresden performances and she certainly convinced me. In fact, having heard... 4:16 PM
  • manou: http://opernnetz.d e/seiten/rezension en/dre_tri_hoe_131 116.htm 4:15 PM
  • PCally: The one review I read was decidedly mixed, after which I read that she canceled the Bayreuth Isolde.... 4:09 PM
  • Gualtier M: Hey Broken Record: The Richard Tucker Prize goes to a young AMERICAN singer. ALWAYS. (I know I... 4:08 PM
  • Thingsaregettingbetterdownhere: orestes: The boys can’t keep up with Goerke-Mattila-Bar ton, but that... 4:03 PM
  • turings: I’m glad they’re featuring Katarina Bradic in Amor vien dal destino. I don’t know... 3:51 PM
  • orestes: I’m going to Walkure on Thursday and can’t wait to hear her. She wowed me as Adalgisa,... 3:44 PM
  • uwsinnyc: Good points. I find her interesting but she doesn’t give me goosebumps and the voice never... 3:11 PM

There ought to be a new word for camp

glum_janetTyler Perry‘s… For Colored Girls does feel like a ghoulish joke, a dated horror show bordering on parody. It’s both operatic and tone deaf, with explosions of hysteria that include a drunken Macy Gray performing a back-alley abortion and the conversion of a poem spoken by [Ntozake] Shange‘s Lady in Purple into an actual opera by Perry’s regular composer Aaron Zigman (called La Donna In Viola). During the opera, the film cuts back and forth between a doomed couple silently watching the performance (the husband is on the down low, unbeknownst to the wife) and another character being savagely date-raped.” [Time]