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Cher Public

  • Greg.Freed: I find it a little depressing etc. I never know when anyone’s kidding here anymore.... 3:08 AM
  • Cicciabella: Lady, last year’s concert was better. For one thing, she was alone. She came out, warmed... 2:47 AM
  • Cicciabella: O’Neill was very promising, covering at the Met for years. I don’t think he’s... 2:30 AM
  • Feldmarschallin: Germany or Sweden it’s all the same no? 2:26 AM
  • Feldmarschallin: Simply the Best: Tina Turner turns 75 today. She lives in Switzerland and has been living in... 2:24 AM
  • steveac10: You can thank our friend Friend for that nonsense. And it’s not just the covers. For... 2:06 AM
  • danpatter: I heard her live only once, a beautifully sung and very womanly Dalila opposite Jon Vickers at the... 1:26 AM
  • Guestoria Unpopularenka: I believe you mean Göteborg which is in Sweden. 1:21 AM
  • Baritenor: Every year I go down the Met Roster, and am SHOCKED by some of the names found as covers, many of... 1:20 AM
  • Guestoria Unpopularenka: Aleksandrina Milcheva is actually turning 80, her birth year listed is 1934. 12:40 AM

Teaching moment

“After putting off for a week trying to make some sense of the horrific mess that is the Met’s new Faust, I’m finally just going to give up. There are some disasters that bear writing about as what you might call teaching opportunities: this season’s Don Giovanni, for example, as a cautionary tale about the perils of timid conservatism. But there’s nothing to be learned from this Faust besides, perhaps, ‘never hire Des McAnuff to direct another opera under any circumstances’.” [Musical America]

Comment n’être pas coquette?

Gone (from the Met’s Faust) but not forgotten diva Angela Gheorghiu claims that Jonas Kaufmann has expressed to her his dissatisfaction with Des McAnuff‘s direction—which reportedly included an injunction to the tenor to do as he was told and not to question anything. She adds that Kaufmann has assured her she was right to cancel when she did. Yes, in this interview with Naomi Lewin, the word “fiasco” gets thrown around a lot. [WQXR]

Interrrupted analogy

A press release just received from the Met ends with what feels like a SAT question that didn’t quite make it out of the gate. The background on the company’s impending HD of Faust includes the following tantalizing paragraph: “The traditional setting for Faust is 16th-century Germany, a time when alchemists and philosophers were familiar characters in real life. Des McAnuff’s new Met production places the action in the first half of the 20th century.” Read more »

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Frequent flier

Leave it to those Torontonians to blow the lid off an opera story happening in New York! (Goodness knows the local journalists don’t bother.)

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