Headshot of La Cieca

Cher Public

  • ML: I hated his Philip — all flailing around and superficial grasp of the text. 9:43 PM
  • ML: Big family. Understood. Of course, how stupid of the Met to have a glorious Hungarian bass on the... 9:36 PM
  • Gualtier M: Morris is one of the greatest Wagner singers of all time. His Wotan is historic, a friend... 9:18 PM
  • Gualtier M: He has already sung the Flieder Monolog in concerts and recorded “Wahn, Wahn” as well... 9:11 PM
  • Bill: Bretz has 5 or 6 Children – so I imagine he will continue to sing alot in Budapest where this... 9:11 PM
  • ML: 1-2 years of heavy study? 9:01 PM
  • Bluebeard: another article I read years ago made mention of the fact that Pape didn’t quite find Hans... 8:57 PM
  • ML: Answering my own question, the Glasgow “yes” margin seems lower than expected —... 8:20 PM
  • La Cieca: Yes, please use this link: http://goo.gl/8fjA Jz 8:15 PM
  • Jack Jikes: Cara La Cieca – Can I order via Parterre? 8:10 PM

Teaching moment

“After putting off for a week trying to make some sense of the horrific mess that is the Met’s new Faust, I’m finally just going to give up. There are some disasters that bear writing about as what you might call teaching opportunities: this season’s Don Giovanni, for example, as a cautionary tale about the perils of timid conservatism. But there’s nothing to be learned from this Faust besides, perhaps, ‘never hire Des McAnuff to direct another opera under any circumstances’.” [Musical America]

Comment n’être pas coquette?

Gone (from the Met’s Faust) but not forgotten diva Angela Gheorghiu claims that Jonas Kaufmann has expressed to her his dissatisfaction with Des McAnuff‘s direction—which reportedly included an injunction to the tenor to do as he was told and not to question anything. She adds that Kaufmann has assured her she was right to cancel when she did. Yes, in this interview with Naomi Lewin, the word “fiasco” gets thrown around a lot. [WQXR]

Interrrupted analogy

A press release just received from the Met ends with what feels like a SAT question that didn’t quite make it out of the gate. The background on the company’s impending HD of Faust includes the following tantalizing paragraph: “The traditional setting for Faust is 16th-century Germany, a time when alchemists and philosophers were familiar characters in real life. Des McAnuff’s new Met production places the action in the first half of the 20th century.” Read more »

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Frequent flier

Leave it to those Torontonians to blow the lid off an opera story happening in New York! (Goodness knows the local journalists don’t bother.)

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