Headshot of La Cieca

Cher Public

  • 98rsd: Two observations: since most of the “hysteria 221; is coming via Mr Gordon, that explains why... 5:06 PM
  • coloraturafan: Absolutely agreed!!! More Donizetti would be very welcome. All of the operas you mention... 5:06 PM
  • operaassport: And why is any of it relevant to the current contract negotiations? 5:04 PM
  • kashania: Garanca and Tezier do sound ideal but does JDF have enough voice for the part? I don’t know... 5:00 PM
  • kashania: YES, Barton! 4:57 PM
  • alejandro: La Favorite with Barton PLEASE! I would swoon! 4:51 PM
  • Quanto Painy Fakor: Video of the team of federal mediators just appointed to save the day: httpv://www.you... 4:40 PM
  • Milady DeWinter: Thanks for the ID – I would not have guessed. But who would have guessed she would... 4:37 PM
  • oedipe: Hmm, I’ve seen Dargomyzhsky’ ;s Rusalka more often than Dvorak’s. I can even... 4:23 PM
  • bronzino: oh–just wake me up when it’s over, won’t you? 4:10 PM

Tomb raider

Despite the continued popularity of Der Freischütz in German-speaking countries, are the magical mature operas of Carl Maria von Weber otherwise really so problematic, their libretti so unwieldy to explain their continued absence from the world’s stages? The enthusiastic ovations Sunday afternoon that greeted the conclusion of the second performance of the first US staging of Euryanthe in nearly a century at Bard Summerscape suggested that perhaps a reconsideration of Weber may be underway.   Read more »

Waxy buildup

I vividly remember being scared to death as a child watching the Vincent Price horror film House of Wax on television. Perhaps because of that trauma I had avoided visiting any waxworks establishment until On Site Opera’s lively production of Rameau’s one-act Pygmalion summoned me Tuesday evening to Madame Tussauds just off New York City’s Times Square.  Read more »

Victorious, happy and glorious

Even before Italian diva Mariella Devia had completed the stunning high D natural that capped her miraculous portrayal of Elisabetta in Donizetti’s Roberto Devereux Thursday evening at Carnegie Hall, tens, then hundreds of those in attendance leapt to their feet to shout their acclaim at the conclusion of the most recent example of that most quintessential event for many New York operagoers: the concert opera.  Read more »

Cendrillon -Jules Massenet, Juilliard

Ash Wednesday

Joyce, Javier and now Julia—this week these three remarkable Js brought New York City memorable “Cinderella stories.”

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cenerentola_2

Goodness had everything to do with it

The Met stage was filled with considerable magic Monday night when its dizzily effervescent revival of La Cenerentola starring Joyce DiDonato and Javier Camarena stirred a bewitched audience to some of the most ecstatic ovations heard this season.

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swamp_women

Platée du jour

What must have raced through the mind of the none-too-comely Spanish Infanta when she learned that the opera to be performed during the celebrations for her 1745 wedding to the French Dauphin revolved around the comeuppance of an ugly yet vain water nymph tricked into believing Jupiter was her ardent suitor?

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orphee

Lyrists’ club

For one week every two years since 1981 the eyes—and ears—of those interested in period performance turn to the Boston Early Music Festival, particularly to its opera centerpiece, but that organization doesn’t rest on its laurels in between festivals.

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mcgegan

Partial eclipse

We must be doubly grateful that The English Concert’s recent Theodora was so quickly followed by the American Classical Orchestra’s fine Samson on Tuesday evening at Alice Tully Hall.

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jaroussky

Farinelli from heaven

My impossible wish would be to hear one of the great castrati who dominated opera for most of the 18th century.

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roschmann

Theodora goes wild

Joined by the Choir of Trinity Wall Street, The English Concert concluded the US leg of its current tour at Carnegie Hall Sunday with a complete performance of the darkly moving Theodora, Handel’s penultimate oratorio.

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