Venetian blind
Which summer festival, barely an hour north of Manhattan, will offer as its opera performances in the summer of 2012 Rossini’s Ciro in Babilonia (with Ewa Podles, Jessica Pratt and Michael Spyres) and Bellini’s I Capuleti e i Montecchi (with Kate Aldrich, Eglise Gutierrez and Leonardo Capalbo)?
Caramoor. So close I can walk. In fact, I am starting now.
I missed Caramoor, last Summer…but no way in HELL , will I make that same mistake this coming season– especially with these casts and works..!!!
Well gosh, which one could this be?
I really ought to get there some year. I’ve made it to Glyndebourne several times, and this is a whole lot closer.
wow..my dream of a festival, as usual. I may be one of the very few people to have already seen Ciro in Babilonia, over 20 years ago in Savona.
Oh my, Ercole. Was that the performance that had Daniella Desai as the lead soprano?
Is Daniela Desai a little known Indian soprano?
Oh dear, the “blind typist” gets in trouble again. I of course meant Daniella Dessi.
I knew that – but could not resist a cheap shot. Forgive me.
Can anybody confirm whether it was Daniela Dessi who stepped in for Gorchakova in a Proms concert performance of Don Carlo in the 90s with Borodina, Hvorostovsky and Margison? It quite possibly wasn’t her, but I’m struggling to think who else it could have been. I’m probably not the only poster who was there…
According to the Proms archive it was Sylvie Valayre :
http://tinyurl.com/bwlj3ag
It’s ok, Manou, I wouldn’t have been able to resist either!
Yes it was Daniela Dessì, and there was also Ernesto Palacio as the antagonist, and in the title role Caterina Calvi, a young singer who had a true deep contralto voice but also serious pitch problems, and never had a career
Glad to see that it’s Caramoor. I still want to dream of a summer Bard festival: “Notker Balbulus and His World”.
The West Point All Male Rossini-Bellini Festival?
Kate Aldrich, Eglise Gutierrez and Leonardo Capalbo …. I guess I’m going to hear that lol
Seriously, Capalbo is attractive casting for you? Between him and Gutierrez, I’d be giving that Capuleti a very wide berth.
They are friends that I will support
And if you want to hear Ciro again, the same group ( at least some of them) will be performing at a festival barely an hour north of Ancona.
O gioia!
So please to know of this and will Camille ever be there!
Brooklyn punk, if I have to haul my arse on down to Brooklyn and pick you up by the nape of the neck and sponsor you as my inner city child, U R GOING, Guy.
Yours, C.
Dear Camille!
..that is the most exciting offer I have received in many many moons…and I’m NOT referring to going to Caramoor, either….BUT. to some rough neck-napeing action—-LOL…!!
..I’m ALREADY planning the pic-nic menus…..!!
: )
Happy to oblige, dear.
Just make sure to include truffles, anchovies, and capers! Camille loves the salty stuff!
I KNEW I LIKED YA, CAMILLE….!
Capers …and anchovies … are among the top of of my food chain….
…I make the world’s BEST caponata……!
You are so ON, BP, if you make caponata–I hope you include a tiny bit of cioccolato, the segreto per esser felice!!
Until our summer picnic we have another horrible winter to weather, so I will plumb all my cookbooks for the best of the best caponatas.
Until the fair season and under the Venetian tent—!!!!!
…I sure do, Camille… it adds to that certain magical taste-bud quivering effect… !
Don’t you get thirsty, though, Camille? It must make long operas even more uncomfortable than they already tend to do be.
No, sir.
Canille loves capers, and especially in her caponata.
Thereby giving as good an excuse to grab the nearest magnum of Veuve Clicquot and cry out’Follie’ as any other.
Pick me up, too
I’m in the Bronx.
Seriously, we New Yorkers should band together and rent a car.
Very good they are doing this rare Rossini from which I only am familiar with only one aria, written all on one note. As Rossini said in a letter “I had an awful seconda donna for my opera, Ciro in Babilonia. Besides being hideously ugly, she had the most wretched voice. After trying it with the utmost care I discovered that she possessed one single good note. So I wrote an aria for her in which she had nothing but this note to sing. All the rest I put into the orchestra, and as it was liked and applauded, my singer of the one note was delighted with her triumph.”
Thank you. I was going to post the anecdote, but I hoped someone else would.
Rossini was a genius.
Wonderful letter and thanks for posting that.
With just a few extra notes and for different reasons, Ravel did it much more beautifully (see 08:14 here:)
QPF
Thanks for YOUR very LOVELY posting clip..I’m watching the whole work, right now, courtesy of you, and youtube!
Incidentally, L’Enfant et les Sortilèges will be back in Glyndebourne for the 2012 edition of the festival, in a new production by Laurent Pelly. The sumptuous Festival 2012 Brochure is out, hot off the presses, and you can thumb through it right here:
http://glyndebourne.com/festival-2012-brochure
Pelly and L’enfant makes me tingle just a little bit.
That is absolutely WONDERFUL! Thank you Grim. Apparently Rossini was not only a genius but a fucking genius.
Oh La Cieca, thank you so much for this wonderful news! Can’t wait & Brooklyn Punk you better come out there next summer!!