September 2010
And now, cher public, let’s put today’s singers, the Contemporary Divas, under the microscope. How do they stack up?
David H. Koch, best known here in New York as the guy they named the theater after, is active on other coasts as well. In fact, just this morning it was announced that he (and his brother) have invested ONE MILLION DOLLARS in an effort to overturn a California law “that many hoped would serve…
Monsters and Critics reveals: “Although acclaimed mezzo-soprano Cecilia Bartoli has achieved almost everything there is to achieve in the world of classical music, she says she is still anxious ahead of every performance. In an interview with the German Press Agency dpa this week, the 44-year-old Italian opera star said a certain dose of stage…
La Cieca continues to apply the Kang Method to the dozen divas of the Classic mode. This time, our five criteria for diva status offer fewer total points, but the difficulty level remains the same. Especially for Renata Scotto.
We begin our Kang Method statistical analysis of That Which is Called Diva with a dozen Classic Divas: Hildegard Behrens, Montserrat Caballé, Régine Crespin, Mirella Freni, Marilyn Horne, Christa Ludwig, Jessye Norman, Leontyne Price, Leonie Rysanek, Renata Scotto, Joan Sutherland and Tatiana Troyanos, henceforth called by first name or nickname as applicable. Our first report…
La Cieca is delighted to announce a week-long series of investigative reports deciding once and for all the question “Who is the greatest opera diva of our generation?”
A little deductive reasoning applied to a little black dress resulted in a late in the game victory for cosmodimontevergine: in the most recent Regie quiz the director (as revealed by his signature minimalist frock) was Christoph Loy, and work was Les Vêpres Siciliennes for the Nederlandse Opera. More quiz follows after a minimal jump.…
Okay, it wasn’t Sister Act all the way, but in the middle of Acts IV and V, ENO’s new production of Gounod’s Faust (September 18) almost turned me into a straight Catholic Republican conservative. But we’ll get to the reason why a bit later.
Betsy is back in Pike or wherever she hails from, so this week we don’t have the usual smörgåsbord of listening selections she ordinarily provides. Our Own Hans Lick, though, has nominated a brace of broadcasts of possible interest to the cher public.
Takesha Meshé Kizart will make her Met debut as Musetta in Puccini’s La Bohème on October 16, also singing performances on October 20, 23, 28, November 1, and 5. She replaces the originally announced Kristine Opolais, who has “withdrawn“. (In case you’re wondering, Nina Stemme was the one who canceled.) (Photo: Maja Slavec)
An unlikely but adept English-language vocal stylist, Cecilia Bartoli, led the cast of a revival of the 2007 Zurich staging of Handel’s Semele, transferred to the Theater an der Wien for a short run. Director Robert Carsen takes an occasional liberty: Juno and Jupiter emerge as British royals, for instance, she a wellie-wearer and devotee…
“Zinta Lundborg is a writer for Bloomberg News. The opinions expressed are her own.” [Bloomberg]
The Board of Directors of New York City Opera has announced that Charles R. Wall was unanimously elected Chairman of the Board effective December 16, 2010. He succeeds Susan L. Baker, who will “step down” after seven years of “dedicated service.”
Lots of media news today, so let’s not waste any time! La Cieca congratulates Opera News on the occasion of the mag’s 75th anniversary this month, though your doyenne is willing to swear that the mag doesn’t look a day over 60!
Maria Callas died 33 years ago, September 16, 1977.
Only a few hours left before voting in the “Greatest Divas” poll is closed! You have until midnight tonight to add your vote to the more than 15,000 already cast.
Now, don’t you go thinking that Peter Gelb doesn’t listen to his public, which intersects quite steeply, of course, with the cher public. For instance, just the other day La Cieca and a couple of others were lamenting that opera has lost some of it mad silly gay folie lately. Lo and behold, today it…
“It doesn’t fucking matter if he means it, because the dancers need to dance!” No, that’s not, in fact, the refrain of the latest techno hit burning up the dancefloor, but rather society chronicler David Patrick Columbia, talking with Zachary Woolfe about “the web of money, power and ambiguous motives that has for a long…
Our Own JJ emerges from estivation to look forward, Erda-like, toward “the” event of the fall season, plus six more must-sees.
Our Own JJ will have a news item or two tomorrow, but until then, a couple of YouTube clips follow: a remake of a classic and a reimagining of a classic. La Cieca is confident the cher public (pictured) will have opinions.
Two minds with but a single frock: Marina Poplavskaya in the Met’s new Traviata (due December 31) and Emma Watson in the November 19 release Harry Potter and the Deathly Hallows.
“As Ernesto, Barry Banks struggled against an allergic reaction and a humiliatingly camp pink get-up…” [The Telegraph]
La Cieca invites the cher public to act as blue-ribbon panel in selecting the singers to be included in the “Greatest Diva” study. Voting after the jump.
In a whole month of guessing at our most recent Regie quiz, only Melot’s Younger Brother and PirateJenny were able to narrow in on what is after all a very fringey part of the opera repertoire: Graun’s Montezuma, with a libretto by Frederick the Great. (The work was directed for the Edinburgh International Festival by…
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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