Cher Public

  • Buster: I had planned to see this in Cologne in December, but because of the problems there, it apparently has now been postponed. Too... 4:14 AM
  • Tamerlano: My god that trio was visually stunning and what glorious music that is…it did almost unravel musically which makes me... 3:36 AM
  • zinka: Regina Resnik was born on Aug.30, 1922. She became one of the greatest artists in the world of opera. As soprano/mezzo in a... 12:50 AM
  • Krunoslav: ‘And if the Met does Parsifal as scheduled in 2018, wouldn’t Goerke or maybe Nina Stemme be the only viable options at... 10:45 PM
  • Jungfer Marianne Leitmetzerin: I was at the third performance. Fucking brilliant production, if a bit wobbly vocally. (Volle totally blew... 10:44 PM
  • zinka: What went wrong? Didn’t Beverly Sills once say that she would rather have 5 years of Callas than 25 of her? Well, I do agree... 10:36 PM
  • Signor Bruschino: Just finished the Antonia act & its fucking brilliant. Thank you La Cieca… Really a sin that NYC has not... 8:41 PM
  • La Cieca: I’m worried that Matthews is heading the same way as Emma Bell To ruin three seasons of Mozart revivals at the Met? 7:42 PM

Another point of view

Simple, if not always grand.

46 comments

  • tinney says:

    Gianni B we will agree to disagree.

  • Gianni B says:

    Tinney

    I would be happy to agree to disagree. Everyone has varying opinions and we all can be happy by respecting one another’s opinion. Although, we may disagree, I do respect what you have to say.

  • tinney says:

    Gianni same here. I respect what you have to say.

  • this is a very beautiful interpretation, and bodes very well for her continuing transition into heavier rep.

  • louannd says:

    #40

    I read somewhere in a review that she tried to do a different interpretation so as not to look like a dumb soubrette, but I can’t exactly remember what she was thinking.

    Now here’s a soubrette:

  • prunier says:

    I’m interested to see the comparisons of Netrebko to Moffo. This has been mentioned before, and one can see a certain physical glamor that they share as well. Though the voices are in no way identical, it’s intriguing to note that nearly all of the French and Italian roles in Netrebko’s repertoire are roles that Moffo also sang onstage and/or recorded (Moffo didn’t do any Russian roles that I know of.) Both did lighter roles like Norina, Adina, Zerlina, and Susanna in addition to heavier Puccini and Verdi standards. As did Freni. (Moffo’s Butterfly recording was issued by RCA as a “lighter cast” alternative to the Leontyne Price version, which they put out at the same time.) As well as French roles like Juliette and Manon. Though Moffo’s unfortunate vocal history does not suggest that Netrebko should necessarily continue to follow her example, one might speculate as to which other Moffo roles might suit her. Thais? Liu? Luisa Miller?